{"id":22938,"date":"2018-03-09T09:13:18","date_gmt":"2018-03-09T09:13:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/san-jeronimo-en-el-arte-de-la-contrarreforma\/"},"modified":"2018-03-09T09:13:18","modified_gmt":"2018-03-09T09:13:18","slug":"san-jeronimo-en-el-arte-de-la-contrarreforma","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/san-jeronimo-en-el-arte-de-la-contrarreforma\/","title":{"rendered":"San jer\u00f3nimo en el arte de la contrarreforma"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Pilar Martino Alba <\/strong><\/h2>\n<p>Analizamos por un lado la biograf\u00eda y la obra escrita de san jer\u00f3nimo, patr\u00f3n de los traductores, desde el punto de vista iconogr\u00e1fico, dividi\u00e9ndola en cuatro grandes etapas vitales, y por otro los antecedentes pol\u00edtico-religiosos que fundamentan las seseiones preaparatorias del concilio de trento y, tras su finalizaci\u00f3n, las medidas adoptadas para que los decretos dogm\u00e1ticos y de reforma  tengan la efectividad deseada y alcancen los objetivos propuestos.  en este an\u00e1lisis iconogr\u00e1fico y su relaci\u00f3n con las fuentes y los decretos tridentinos -de car\u00e1cter interdisciplinar-, aportamos algunas novedades en cuanto al origen de los atributos, asuntos y variantes diat\u00f3picas que se producen entre los diferentes tipos iconogr\u00e1ficos con que se representa al santo.  a continuaci\u00f3n hacemos un recorrido cronol\u00f3gico y tipol\u00f3gico desde las primeras representaciones en biblias iluminadas, pasando despu\u00e9s por los siglos decisivos que preceden y suceden a la celebraci\u00f3n del concilio de trento, haciendo especial hincapi\u00e9 en la frontera art\u00edstica que refleja iconogr\u00e1ficamente y en la magnificiencia de sus construcciones religiosas los seculares problemas pol\u00edtico-religioso entre los pa\u00edses que se adhieren a la reforma y aquellos que siguen las propuestas de la contrarreforma.  la investigaci\u00f3n no s\u00f3lo pone de manifiesto la relevancia de la obra escrita de san jer\u00f3nimo como fuente inconogr\u00e1fica, ya se trate de traducciones, ensayos, tratados, obras homil\u00e9ticas o ep\u00edstolas, sino tambi\u00e9n las posibilidad de un nuevo enfoque en el estudio de la contrarreforma y la incidencia que esta ideolog\u00eda tuvo en la interpretaci\u00f3n y proliferaci\u00f3n de la imag\u00e9n iconogr\u00e1fica y de la edici\u00f3n de las obras del patr\u00f3n de los traductores.  la investigaci\u00f3n y consulta bibliogr\u00e1fica sobre temas jeronimianos se ha realizado tanto en espa\u00f1a, como en holanda, b\u00e9lgica, francia, italia, gran breta\u00f1a, alemania, austria y suiza, y tanto en su l<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>San jer\u00f3nimo en el arte de la contrarreforma<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 San jer\u00f3nimo en el arte de la contrarreforma <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Pilar Martino Alba <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/05\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Cruz Valdovinos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel angel Vega  cernuda <\/li>\n<li>Francisco Javier Campos fernandez de sevilla (vocal)<\/li>\n<li> Prados Garc\u00eda Jos\u00e9 m. (vocal)<\/li>\n<li> Ruiz hernando Jos\u00e9 Antonio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Pilar Martino Alba Analizamos por un lado la biograf\u00eda y la obra escrita de san jer\u00f3nimo, patr\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[64142,24188,24505,68265,68266,5375],"class_list":["post-22938","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-francisco-javier-campos-fernandez-de-sevilla","tag-jose-manuel-cruz-valdovinos","tag-miguel-angel-vega-cernuda","tag-pilar-martino-alba","tag-prados-garcia-jose-m","tag-ruiz-hernando-jose-antonio"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22938","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=22938"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22938\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=22938"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=22938"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=22938"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}