{"id":22939,"date":"2018-03-09T09:13:18","date_gmt":"2018-03-09T09:13:18","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/luis-bagaria-entre-el-arte-y-la-pola%c2%adtica\/"},"modified":"2018-03-09T09:13:18","modified_gmt":"2018-03-09T09:13:18","slug":"luis-bagaria-entre-el-arte-y-la-pola%c2%adtica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/luis-bagaria-entre-el-arte-y-la-pola%c2%adtica\/","title":{"rendered":"Luis bagar\u00eda. entre el arte y la pol\u00edtica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Emilio Marcos Villal\u00f3n <\/strong><\/h2>\n<p>Dentro del contexto cultural de la edad de plata espa\u00f1ola, la investigaci\u00f3n analiza la obra pl\u00e1stica y period\u00edstica de luis bagar\u00eda (1882-1940), el mejor caricaturista espa\u00f1ol de su \u00e9poca, seg\u00fan opini\u00f3n un\u00e1nime de sus contempor\u00e1neos. adoptando una perspectiva multidisciplina, indispensable dada la naturaleza h\u00edbrida de la caricatura, el estudio recorre la obra bagariana desde sus inicios catalanes, dentro de la bohemia barcelonesa de entre siglos, hasta sus \u00faltimos d\u00edas de exiliado republicano en francia.  en el terreno pol\u00edtico, la investigaci\u00f3n se centra en analizar y medir la eficacia de los medios desplegados por la imaginaci\u00f3n sat\u00edrica del dibujante teniendo en cuenta las distintas circunstancias pol\u00edticas y el cambiante panorama period\u00edstico de la \u00e9poca. Se aborda, as\u00ed su brillante propaganda antialemana realizada para el semanario espa\u00f1a, su singular respuesta a la dictadura primorriverista desde su diaria tribuna en el sol y su posici\u00f3n frente al advenimiento y desarrollo del r\u00e9gimen republicano.  en la esfera pl\u00e1stica, el estudio sopesa el papel del agitador art\u00edstico desempe\u00f1ado por bagar\u00eda en el Madrid de los a\u00f1os diez, una historia que culmina con su honor\u00edfica presencia en la exposici\u00f3n de artistas ib\u00e9ricos. con anterioridad, y dentro de su etapa catalana, se indagan las fuentes de su imaginer\u00eda sat\u00edrica y se estudia su revolucionaria irrupci\u00f3n en el firmamento de un g\u00e9nero espec\u00edfico de la caricatura: el portait-charge. asimismo, se rastrean los antecedentes de su estilo y se analizan las implicaciones de un lenguaje figurativo nuevo -el de la caricatura sint\u00e9tica- en el marco de la renovaci\u00f3n art\u00edstica espa\u00f1ola.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Luis bagar\u00eda. entre el arte y la pol\u00edtica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Luis bagar\u00eda. entre el arte y la pol\u00edtica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Emilio Marcos Villal\u00f3n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/05\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jaime Brihuega Sierra<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: valeriano Bozal fern\u00e1ndez <\/li>\n<li>francesc Fontbona de vallescar (vocal)<\/li>\n<li>santos Julia d\u00edaz (vocal)<\/li>\n<li> Santiago paez Elena m. (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Emilio Marcos Villal\u00f3n Dentro del contexto cultural de la edad de plata espa\u00f1ola, la investigaci\u00f3n analiza la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[68267,5606,32473,6813,7041,14283],"class_list":["post-22939","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-emilio-marcos-villalon","tag-francesc-fontbona-de-vallescar","tag-jaime-brihuega-sierra","tag-santiago-paez-elena-m","tag-santos-julia-diaz","tag-valeriano-bozal-fernandez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=22939"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22939\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=22939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=22939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=22939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}