{"id":22995,"date":"2018-03-09T09:13:23","date_gmt":"2018-03-09T09:13:23","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-herma-doble-y-sus-transformaciones-en-el-arte\/"},"modified":"2018-03-09T09:13:23","modified_gmt":"2018-03-09T09:13:23","slug":"la-herma-doble-y-sus-transformaciones-en-el-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-herma-doble-y-sus-transformaciones-en-el-arte\/","title":{"rendered":"La herma doble y sus transformaciones en el arte"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Romero Palomino M. Jes\u00fas <\/strong><\/h2>\n<p>La herma o hermes dobes es la representaci\u00f3n escult\u00f3rica de dos figuras unidas cranealmente o por la espalda, emparejadas por razones biol\u00f3gicas, simb\u00f3licas o tem\u00e1ticas; es el caso, por ejemplo, de las dos esculturas que se hallan actualmente en el mueseo del prado, y que corresponden a la segunda mitad de los s. I. Ii d.C.  dicha \u00abforma\u00bb nos sit\u00faa bajo el tema del dios hermes en su relaci\u00f3n directa con el movimiento en el cual el hombre quda inscrito, podemos existir, amar, comunciarnos con el mundo; pero tambi\u00e9n, y es por otro lado debido a \u00e9l, por el que nos encontramos inercialmente abandonados, inmersos queramos o no, atrapados en \u00e9l.  la herma dobe es pues el leiv-motiv en un discurso que versa sobre la representaci\u00f3n del mundo como experiencia de eros y de t\u00e1natos.  el campo pl\u00e1stico de la herma doble y sus transformaciones obtenido tras someter dicha forma a este mismo movimiento de uni\u00f3n y escisi\u00f3n, nos introduce simb\u00f3licamente en otro discurso art\u00edstico: el del arte como doble o espejo de lo real en su relaci\u00f3n con el eros, o el arte como sombra o indicio de lo real en su relaci\u00f3n con el t\u00e1natos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La herma doble y sus transformaciones en el arte<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La herma doble y sus transformaciones en el arte <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Romero Palomino M. Jes\u00fas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/05\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Pares Parra Jos\u00e9 Luis<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li>Juan  Carlos Albaladejo gonz\u00e1lez (vocal)<\/li>\n<li>rodolfo Conesa bermejo (vocal)<\/li>\n<li> Mi\u00f1arro lopez Juan  Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Romero Palomino M. Jes\u00fas La herma o hermes dobes es la representaci\u00f3n escult\u00f3rica de dos figuras unidas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[55747,6562,10801,46385,36204,68404],"class_list":["post-22995","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-juan-carlos-albaladejo-gonzalez","tag-manuel-parralo-dorado","tag-minarro-lopez-juan-manuel","tag-pares-parra-jose-luis","tag-rodolfo-conesa-bermejo","tag-romero-palomino-m-jesus"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=22995"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/22995\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=22995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=22995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=22995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}