{"id":23046,"date":"2018-03-09T09:13:27","date_gmt":"2018-03-09T09:13:27","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-realidad-sonora-y-su-representacion-grafica\/"},"modified":"2018-03-09T09:13:27","modified_gmt":"2018-03-09T09:13:27","slug":"la-realidad-sonora-y-su-representacion-grafica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/la-realidad-sonora-y-su-representacion-grafica\/","title":{"rendered":"La realidad sonora y su representaci\u00f3n gr\u00e1fica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Julian P\u00e9rez Rodr\u00edguez <\/strong><\/h2>\n<p>Construida en forma de sonata cl\u00e1sica, esta tesis intenta conocer, comprender y explicar la realidad sonora desde nuestra condici\u00f3n de hombre para llegar a una comprensi\u00f3n ontol\u00f3gica de ella, hecha di\u00e1logo con la tradici\u00f3n can\u00f3nica occidental.  para ello se ha creado un sistema de re-presentaci\u00f3n gr\u00e1fica de lo percibido: la teor\u00eda del audiogr\u00e1fico, que ofrece a los oyentes una serie de recursos que pueden permitirles comprender mejor c\u00f3mo est\u00e1 construida la m\u00fasica que oyen habitualmente, combinando dos modelos de conocimiento: la audici\u00f3n y la visi\u00f3n.  consiste el audiogr\u00e1fico en una re-presentaci\u00f3n esquem\u00e1tica del desarrollo de la estructura musical, basada en tres supuestos: utilizaci\u00f3n de colores para reflejar las ideas del compositor, utilizado de signos (musicales o no) que se van desarrollando en \u00abnuestra partitura\u00bb; y finalmente tomando la m\u00fasica como un lenguaje con sus signos de puntuaci\u00f3n. Es una re-presentaci\u00f3n espacial del desarrollo temporal de una obra musical.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La realidad sonora y su representaci\u00f3n gr\u00e1fica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La realidad sonora y su representaci\u00f3n gr\u00e1fica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Julian P\u00e9rez Rodr\u00edguez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/05\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jose Villalobos Dominguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: joaqu\u00edn Lomba fuentes <\/li>\n<li> L\u00f3pez l\u00f3pez Jos\u00e9 luils (vocal)<\/li>\n<li>Emilio G\u00f3mez pi\u00f1ol (vocal)<\/li>\n<li>gregorio Gomez cambres (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Julian P\u00e9rez Rodr\u00edguez Construida en forma de sonata cl\u00e1sica, esta tesis intenta conocer, comprender y explicar la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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