{"id":23065,"date":"2018-03-09T09:13:29","date_gmt":"2018-03-09T09:13:29","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/espacio-antropomorfico-en-la-pintura\/"},"modified":"2018-03-09T09:13:29","modified_gmt":"2018-03-09T09:13:29","slug":"espacio-antropomorfico-en-la-pintura","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/espacio-antropomorfico-en-la-pintura\/","title":{"rendered":"Espacio antropom\u00f3rfico en la pintura"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel \u00e1ngel S\u00e1nchez Garc\u00eda <\/strong><\/h2>\n<p>Espacioantropom\u00f3rfico en la pintura parte del postulado de que la ret\u00f3rica del retrato y su dimensi\u00f3n antropom\u00f3rfica es una quimera necesaria, funcional y fundacional del mito del arte.  en la tesis se argumenta que en el proceso de fabulaci\u00f3n de lo inabarcable se obtiene el fruto de la ant\u00edtesis art\u00edstica: la mercanc\u00eda absoluta que reflexiona sobre si misma de forma narc\u00f3tica, que hace la autocr\u00edtica de sus onanismos conceptuales frente a espejo donde el yo se define redecor\u00e1ndose en un punto de inflexi\u00f3n prot\u00e9sico, a o\u00c2\u00ba.  ni dios ni el arte han muerto, ambos sobreviven en la metaf\u00edsica de la mercancia adoptando infinitas posibilidades faciales dentro de lo siempre igual, siempre lo mismo.  la supervivencia del yo, del arte y de dios en el espect\u00e1culo son un tridente, una espada de damocles que se cierne sobre todo aquello que pretende el ser en el l\u00edmite. El retrato total es una velocidad constante que reniega de las incertidumbres, de la jerusal\u00e9n celestial a la globalizaci\u00f3n, las disidencias parecen venir inclu\u00eddas en el mismo paquete.  un-retrato es un lugar en el que se puede ser esto y aquello y lo dem\u00e1s all\u00e1, un-retrato es una autop\u00eda hastiada de restos org\u00e1nicos, ni su reino es de este mundo, ni el nuestro es del nuestro; bellas criaturas, copias id\u00e9nticas del gen de la mercadotecnia, consumir para ser consumidos, universo de bacterias, nutrientes virtuales, zooplancton y fashion, arte, arte, arte.  se demuestra que la propuesta espacio antropom\u00f3rfico no es una tesis de, sino un anamorfismo de lo que se quiso hacer siendo una tesis viviente: vida versus muerte, versus &#8230;.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Espacio antropom\u00f3rfico en la pintura<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Espacio antropom\u00f3rfico en la pintura <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel \u00e1ngel S\u00e1nchez Garc\u00eda <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/05\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Manuel Gayoso Vazquez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parraldo dorado <\/li>\n<li>Carlos Velilla lon (vocal)<\/li>\n<li> Casas g\u00f3mez Jos\u00e9 Luis de las (vocal)<\/li>\n<li>isabel S\u00e1nchez bonilla (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel \u00e1ngel S\u00e1nchez Garc\u00eda Espacioantropom\u00f3rfico en la pintura parte del postulado de que la ret\u00f3rica del retrato [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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