{"id":23243,"date":"2003-02-06T00:00:00","date_gmt":"2003-02-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/serialismo-y-dodecafonismo-en-espana-desarrollo-e-influencia-en-los-compositores-nacidos-entre-1896-y-1960\/"},"modified":"2003-02-06T00:00:00","modified_gmt":"2003-02-06T00:00:00","slug":"serialismo-y-dodecafonismo-en-espana-desarrollo-e-influencia-en-los-compositores-nacidos-entre-1896-y-1960","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/serialismo-y-dodecafonismo-en-espana-desarrollo-e-influencia-en-los-compositores-nacidos-entre-1896-y-1960\/","title":{"rendered":"Serialismo y dodecafonismo en espa\u00f1a. desarrollo e influencia en los compositores nacidos entre 1896 y 1960"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Agust\u00edn Charles Soler <\/strong><\/h2>\n<p>Estudio sobre la t\u00e9cnica dodecaf\u00f3nica y serial desarrollada por los compositores espa\u00f1oles durante el segundo y tercer cuarto del siglo xx, centrado en los nacidos entre 1896 y 1960. A lo largo de su exposici\u00f3n se muestran los elementos de la tradici\u00f3n que subyacen en el lenguaje de los compositores espa\u00f1oles del siglo xx junto a la revoluci\u00f3n que supuso el lenguaje no tonal desde la perspectiva dodecaf\u00f3nico-serial y su r\u00e1pida aceptaci\u00f3n por parte de los compositores.  a lo largo de la tesis no se abarca todo el \u00e1mbito creativo de los compositores espa\u00f1oles, sino \u00fanicamente el que concierne a la m\u00fasica atonal de origen dodecaf\u00f3nico-serial, desde el aspecto creativo individual al colectivo, adem\u00e1s de lo que supuso de ruptura generacional junto a sus consecuencias. para ello se realiza un estado de la cuesti\u00f3n sobre la que se elabora el m\u00e9todo dodecaf\u00f3nico y serial, as\u00ed como una descripci\u00f3n de las principales corrientes que aqu\u00e9l genera.  todo ello se relaciona con el lenguaje de la m\u00fasica espa\u00f1ola del mismo per\u00edodo en que se desarrollan dichas corrientes. El trabajo se completa con un gran cap\u00edtulo se recopilaci\u00f3n de datos y obras realizadas con dicha metodolog\u00eda. En el apartado de conclusiones se exponen los elementos diferenciales y las corrientes, as\u00ed como la relaci\u00f3n que mantienen entre s\u00ed.  la parte final de la tesis contiene adem\u00e1s un ap\u00e9ndice con todas las series utilizadas por los compositores espa\u00f1oles del per\u00edodo rese\u00f1ado.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Serialismo y dodecafonismo en espa\u00f1a. desarrollo e influencia en los compositores nacidos entre 1896 y 1960<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Serialismo y dodecafonismo en espa\u00f1a. desarrollo e influencia en los compositores nacidos entre 1896 y 1960 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Agust\u00edn Charles Soler <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/06\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Xos\u00e9 Avi\u00f1oa P\u00e9rez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: lourdes Cirlot valenzuela <\/li>\n<li>Antonio Mart\u00edn moreno (vocal)<\/li>\n<li>francesc Bonastre bertran (vocal)<\/li>\n<li>Andr\u00e9s Lewin richter (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Agust\u00edn Charles Soler Estudio sobre la t\u00e9cnica dodecaf\u00f3nica y serial desarrollada por los compositores espa\u00f1oles durante el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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