{"id":23369,"date":"2003-06-06T00:00:00","date_gmt":"2003-06-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-estetica-del-absurdo-en-la-narrativa-hispanoamericana-juan-carlos-onetti-julio-cortazar-y-jose-donoso\/"},"modified":"2003-06-06T00:00:00","modified_gmt":"2003-06-06T00:00:00","slug":"la-estetica-del-absurdo-en-la-narrativa-hispanoamericana-juan-carlos-onetti-julio-cortazar-y-jose-donoso","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/salamanca\/la-estetica-del-absurdo-en-la-narrativa-hispanoamericana-juan-carlos-onetti-julio-cortazar-y-jose-donoso\/","title":{"rendered":"La est\u00e9tica del absurdo en la narrativa hispanoamericana: juan carlos onetti, julio cort\u00e1zar y jos\u00e9 donoso"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Roberto Pinheiro Machado <\/strong><\/h2>\n<p>Esta tesis investiga la est\u00e9tica del absurdo en la narrativa hispanoamericana. propone una definici\u00f3n rigurosa del concepto de absurdo observando el proceso que va desde su aparici\u00f3n en la filosof\u00eda de kierkegaard hasta su utilizaci\u00f3n como elemento de cr\u00edtica literaria por mart\u00edn esslin. La versi\u00f3n literaria del concepto se define como amalgma entre existencialismo y surrealismo. aplicando tal definici\u00f3n a momentos selecionados de la obra de juan carlos onetti, julio cort\u00e1zar y jos\u00e9 donoso se descubre distintos estilos de absurdo, distintas visiones en la que cada autor expresa el sinsentido de la existencia.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La est\u00e9tica del absurdo en la narrativa hispanoamericana: juan carlos onetti, julio cort\u00e1zar y jos\u00e9 donoso<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La est\u00e9tica del absurdo en la narrativa hispanoamericana: juan carlos onetti, julio cort\u00e1zar y jos\u00e9 donoso <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Roberto Pinheiro Machado <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 06\/06\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisca Noguerol Jim\u00e9nez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Gonz\u00e1lez iglesias Juan  Antonio <\/li>\n<li>daniel Mesa gancedo (vocal)<\/li>\n<li>selena Millars mart\u00edn (vocal)<\/li>\n<li>niall Binns (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Roberto Pinheiro Machado Esta tesis investiga la est\u00e9tica del absurdo en la narrativa hispanoamericana. propone una definici\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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