{"id":23465,"date":"2003-11-06T00:00:00","date_gmt":"2003-11-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-guitagrama-un-lenguaje-para-la-composicion-musical-dinamica\/"},"modified":"2003-11-06T00:00:00","modified_gmt":"2003-11-06T00:00:00","slug":"el-guitagrama-un-lenguaje-para-la-composicion-musical-dinamica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/el-guitagrama-un-lenguaje-para-la-composicion-musical-dinamica\/","title":{"rendered":"El \u00abguitagrama\u00bb: un lenguaje para la composici\u00f3n musical din\u00e1mica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Jos\u00e9 Antonio  De Contreras Vilches <\/strong><\/h2>\n<p>El punto de partida de la presente investigaci\u00f3n es el interno de fundiar bajo la misma actitud unificadora, y siempre desde la perspectiva del guitarrista, los procesos cognitivos implicados en la composici\u00f3n musical y la improvisaci\u00f3n; es lo que hemos llamado \u00abcomposici\u00f3n din\u00e1mica\u00bb. El hallazgo de un modelo gr\u00e1fico, el \u00abguitagrama\u00bb, capaz de acoger en s\u00ed y mostrar de una forma evidente y f\u00e1cil la interrelaci\u00f3n locativa de los dos t\u00e9rminos de la composici\u00f3n din\u00e1mica, pentagrama y diapas\u00f3n, se presenta como condici\u00f3n de posibilidad y a la vez como herramienta eficaz para dicha actividad cognitiva unitaria, que denominamos \u00abactitud guitagram\u00e1tica\u00bb.  a partir de ah\u00ed, la reflexi\u00f3n sogre ese sistema estructurado de elementos, sobre ese lenguaje, partiendo de la presentaci\u00f3n y regionalizaci\u00f3n del guitagrama como instrumento b\u00e1sico del mismo; la indagaci\u00f3n sobre los mecanismos cognitivos implicados en la actividad improvisatoria a partir de una exposici\u00f3n hist\u00f3rica y transcultural, con un \u00e9nfasis en la improvisaci\u00f3n jazz\u00edstica; el ejercicio hist\u00f3rico-cr\u00edtico, desde una perspectiva semi\u00f3tica, aplicado a las consecuencias del empleo de la notaci\u00f3n pentagram\u00e1tica por los guitarristas y a los modelos de presentaci\u00f3n de las notas en el diapas\u00f3n de la guitarra a lo largo de la historia, la elaboraci\u00f3n y codificaci\u00f3n de un sistema organizado y progresivo de ejercicios a partir del guitagrama que proporcione estrategias para su asimilaci\u00f3n y aplicaci\u00f3n tanto en la mejora de las habilidades de lectura como en la canalizaci\u00f3n de la creatividad en la improvisaci\u00f3n; estas son, muy brevemente enunciadas, las principales l\u00edneas de trabajo que abordamos en esta tesis.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El \u00abguitagrama\u00bb: un lenguaje para la composici\u00f3n musical din\u00e1mica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El \u00abguitagrama\u00bb: un lenguaje para la composici\u00f3n musical din\u00e1mica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Jos\u00e9 Antonio  De Contreras Vilches <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/06\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carmen Hern\u00e1ndez Martin<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  L\u00f3pez l\u00f3pez Jos\u00e9 Luis <\/li>\n<li>julio Garc\u00eda casas (vocal)<\/li>\n<li>Jorge Vicente arregui (vocal)<\/li>\n<li>enrique Bocardo crespo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Jos\u00e9 Antonio De Contreras Vilches El punto de partida de la presente investigaci\u00f3n es el interno de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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