{"id":24052,"date":"2018-03-09T09:14:50","date_gmt":"2018-03-09T09:14:50","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/francisco-buiza-fernandez-y-su-escuela-colaboradores-disca%c2%adpulos-y-seguidores\/"},"modified":"2018-03-09T09:14:50","modified_gmt":"2018-03-09T09:14:50","slug":"francisco-buiza-fernandez-y-su-escuela-colaboradores-disca%c2%adpulos-y-seguidores","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/francisco-buiza-fernandez-y-su-escuela-colaboradores-disca%c2%adpulos-y-seguidores\/","title":{"rendered":"Francisco buiza fern\u00e1ndez y su escuela. colaboradores, disc\u00edpulos y seguidores"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mart\u00ednez Leal Pedro Ignacio <\/strong><\/h2>\n<p>Esta tesis doctoral sobre uno de los escultores-imagnineros m\u00e1s importantes del siglo xx en sevilla consta de tres bloques tem\u00e1ticos.  en el primer tomo se realiza una aproximaci\u00f3n hist\u00f3rico-art\u00edstica de la \u00abpanor\u00e1mica general de la escultura sevillana del siglo xx\u00bb y se lleva a cabo un estudio exhaustivo y pormenorizado de la biograf\u00eda, el taller, los procesos seguidos en la elaboraci\u00f3n de las obras y del cat\u00e1logo de la producci\u00f3n escult\u00f3rica de francisco buiza fern\u00e1ndez.  el segundo tomo analiza las transformaciones, diferencias y cambios experimentados en los perfiles profesionales del escultor-imagineo sevillano, y en la mec\u00e1nica de trabajo de los talleres del pasado siglo y los del actual.  en el tercer tomo se lleva a cabo el estudio detallado de los colaboradores, disc\u00edpulos y continuadores de la escuela del taller de franciscol buiza fern\u00e1ndez.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Francisco buiza fern\u00e1ndez y su escuela. colaboradores, disc\u00edpulos y seguidores<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Francisco buiza fern\u00e1ndez y su escuela. colaboradores, disc\u00edpulos y seguidores <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mart\u00ednez Leal Pedro Ignacio <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 27\/06\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Miguel Palomero P\u00e1ramo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Banda vargas Antonio  de la <\/li>\n<li>sebasti\u00e1n Santos calero (vocal)<\/li>\n<li>Mar\u00eda del valle G\u00f3mez de terreros guardiola (vocal)<\/li>\n<li>dolores Barroso vazquez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mart\u00ednez Leal Pedro Ignacio Esta tesis doctoral sobre uno de los escultores-imagnineros m\u00e1s importantes del siglo xx [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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