{"id":24302,"date":"2003-04-07T00:00:00","date_gmt":"2003-04-07T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-planificacio-teatral-a-barcelona-1979-1999\/"},"modified":"2003-04-07T00:00:00","modified_gmt":"2003-04-07T00:00:00","slug":"la-planificacio-teatral-a-barcelona-1979-1999","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/la-planificacio-teatral-a-barcelona-1979-1999\/","title":{"rendered":"La planificaci\u00f3 teatral a barcelona 1979-1999"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Gual Dalmau Joan M. <\/strong><\/h2>\n<p>La investigaci\u00f3n est\u00e1 situada a partir de la multidisciplinariedad, que el propio teatro contiene como caracter\u00edsticas intr\u00ednseca, y se ha pretendido un ejercicio de transversalidad al analizar los hechos observados. ello nos ha conducido a un doble nivel en el proceso, por una parte de car\u00e1cter descriptivo, en el que se explica como se manifiesta el fen\u00f3meno estudiado, y por otra de car\u00e1cter explicativo, en el que se buscan las razones y las causas que provocan el fen\u00f3meno.  el trabajo parte del hecho teatral en su dimensi\u00f3n socio-pol\u00edtica, y en funci\u00f3n de su car\u00e1cter social y de inter\u00e9s p\u00fablilco que se le atribuye, se sit\u00faa a este como posible sujeto pasivo de la planificaci\u00f3n por parte de la acci\u00f3n p\u00fablica, en un espacio como la ciudad de barcelona y enmarcado en un \u00e1mbito temporal que se sit\u00faa entre 1979 y 1999.  el itineraio investigador ha partido de la observaci\u00f3n de la realidad de las pol\u00edticas culturales de cada momento y del marco jur\u00eddico en que estas se desarrollaban y ha continuado con la descripci\u00f3n del desarrollo de los hechos, la descomposici\u00f3n del fen\u00f3meno estudiado y su posterior examen cr\u00edtico.  se estudia la acci\u00f3n sobre barcelona, centrada en la actividad teatral, para determiar si realmente podemos considerar, que las acciones analizadas en el periodo estudiado, se corresponden con las posibles formas en que se puede traducir la planificaci\u00f3n.  el estudio se realiza dividido en tres grandes bloques:  1,- las pol\u00edticas culturales  2,- el marco legal  3,- las etapas:  * 1975 a 1980 transici\u00f3n hacia la consolidaci\u00f3n democr\u00e1tica  * 1981 a 1989 claro protagonismo de la intervenci\u00f3n p\u00fablica  * 1990 a 1999 estabilizaci\u00f3n y protagonismo del sector privado  se detecta en el estudio, que la profunda transformaci\u00f3n sufrida en el periodo estudiado, se ha realizado con graves d\u00e9ficit de eficacia, sin estudios globales, sin criterios de prioridades, con la utilizaci\u00f3n poco racio<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La planificaci\u00f3 teatral a barcelona 1979-1999<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La planificaci\u00f3 teatral a barcelona 1979-1999 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Gual Dalmau Joan M. <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 04\/07\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ricardo Salvat Ferr\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: cesar Oliva olivares <\/li>\n<li>carles Batlle jord? (vocal)<\/li>\n<li>Mar\u00eda  josep Ragu\u00e9  arias (vocal)<\/li>\n<li>Mar\u00eda  teresa De gispert pastor (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gual Dalmau Joan M. La investigaci\u00f3n est\u00e1 situada a partir de la multidisciplinariedad, que el propio teatro [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[951,147,104,713,222,628],"tags":[71483,1871,71482,52040,71484,1873],"class_list":["post-24302","post","type-post","status-publish","format-standard","hentry","category-barcelona","category-ciencias-de-las-artes-y-las-letras","category-historia","category-historia-de-la-literatura","category-historias-especializadas","category-teoria-analisis-y-critica-literarios","tag-carles-batlle-jord","tag-cesar-oliva-olivares","tag-gual-dalmau-joan-m","tag-maria-josep-rague-arias","tag-maria-teresa-de-gispert-pastor","tag-ricardo-salvat-ferre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/24302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=24302"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/24302\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=24302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=24302"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=24302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}