{"id":2460,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/la-clara-dificultad-del-arte-una-mirada-sobre-la-dimension-emancipadora-del-arte\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-clara-dificultad-del-arte-una-mirada-sobre-la-dimension-emancipadora-del-arte","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-clara-dificultad-del-arte-una-mirada-sobre-la-dimension-emancipadora-del-arte\/","title":{"rendered":"La clara dificultad del arte. una mirada sobre la dimension emancipadora del arte."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ramon Salas Lamamie De Clairac <\/strong><\/h2>\n<p>Se trata de una investigacion acerca del problema del arte contemporaneo tanto desde la vertiente estetico-filosofica como pragmatica y creativa. El papel del arte autonomo, mas alla del conocimiento y de la eticidad, es cuestionado (de kant hasta hoy) e impugnado, apelando no solo a las aportaciones de la filosofia moderna (nietzsche, heidegger, adorno &#8230;) Sino, sobre todo, de la practica artistica (romanticismo, surrealismo, arte conceptual &#8230;). La orientacion pragmatica y comunicativa que se propone como alternativa radicaliza un \u00abgiro linguistico\u00bb de la filosofia contemporanea, proponiendo la sustitucion del concepto de \u00abrepresentacion\u00bb (expresion de una filosofia del sujeto escindido) por el de \u00ablenguaje\u00bb. La imagen como \u00abpintura\u00bb (wittgenstein) y como \u00abnarracion\u00bb (derrida, rorty &#8230;) serviria para la autoconstruccion artistica de un sujeto emancipado (vital y politicamente) mediante el arte.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La clara dificultad del arte. una mirada sobre la dimension emancipadora del arte.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La clara dificultad del arte. una mirada sobre la dimension emancipadora del arte. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ramon Salas Lamamie De Clairac <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 La laguna<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Luis Molinuevo Mart\u00ednez De Bujo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jose Jimenez Jimenez <\/li>\n<li>Juan  Jos\u00e9 Gomez Molina (vocal)<\/li>\n<li>Fernando Castro Borrego (vocal)<\/li>\n<li>Xavier Franquesa Llopart (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ramon Salas Lamamie De Clairac Se trata de una investigacion acerca del problema del arte contemporaneo tanto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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