{"id":25288,"date":"2003-11-09T00:00:00","date_gmt":"2003-11-09T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-arquitecto-juan-de-sagarbinaga-1710-1797\/"},"modified":"2003-11-09T00:00:00","modified_gmt":"2003-11-09T00:00:00","slug":"el-arquitecto-juan-de-sagarbinaga-1710-1797","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/salamanca\/el-arquitecto-juan-de-sagarbinaga-1710-1797\/","title":{"rendered":"El arquitecto juan de sagarbinaga (1710-1797)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eduardo Azofra Agustin <\/strong><\/h2>\n<p>Se centra en el estudio de la obra de juan de sagarbinaga a partir de los distintos criterios de actuaci\u00f3n que emple\u00f3 a la hora de enfrentarse a una intervenci\u00f3n dependiendo de si se trataba de un edificio preexistente, donde optar\u00e1 por en criterio de unidad (donde pondr\u00e1 de manifiesto su maestr\u00eda a la hora de proyectar y materializar la cubrici\u00f3n de los espacios con b\u00f3vedas de tradici\u00f3n g\u00f3tica en pleno siglo xviii), o de una construcci\u00f3n de nueva planta donde escoger\u00e1 la apuesta por la modernidad basada en los lenguajes del clasicismo, fundamentalmente de las corrientes del barroco castizo (transformaci\u00f3n de la colegiata de nuestra se\u00f1ora del manzano de castrojeriz), de la recuperaci\u00f3n de la herreriano (la torre de la catedral de ciudad rodrigo) y de los planteamientos racionalistas e historicistas (direcci\u00f3n de las obras del colegio de anaya). En definitiva, los diferentes lenguajes del clasicismo utilizados por juan de sagarbinaga (aspe de busturia (vizcaya) 1710 &#8211; salamanca, 1997) son un claro reflejo de la indefinici\u00f3n estilista que vivi\u00f3 la arquitectura espa\u00f1ola de la segunda mitad del siglo xviii, de la cual el arquitecto vizca\u00edno es un claro esponente durante los a\u00f1os que asumi\u00f3 la maestr\u00eda de la catedral de salamanca (1754-1767) llevando a cabo tres proyectos aplicando tres criterios diferentes: la simbiosis del g\u00f3tico y el barroco en la antesacrist\u00eda y sacrist\u00eda mayor, el barroco cortesano en la c\u00fapula del crucero y la arquitectura racionalista en los muros perimetrales de la capilla mayor. Y a paritr de esos lenguajes del clasicismo y de su relaci\u00f3n con el pensamiento ilustrado y acad\u00e9mico la arquitectura de juan de sagarbinaga acabar\u00e1 evolucionando en su etapa de plenitud y madurez hacia un clasicismo depurado que, caracterizado por la limpieza y sencillez formal, la elegancia estil\u00edstica y la ausencia de decoraci\u00f3n, encaja perfectamente dentro de lo que se ha llamado el primer neoclasicismo espa<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El arquitecto juan de sagarbinaga (1710-1797)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El arquitecto juan de sagarbinaga (1710-1797) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eduardo Azofra Agustin <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 11\/09\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Nieto Gonz\u00e1lez Jos\u00e9 Ram\u00f3n<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Brasas egido Jos\u00e9 Carlos <\/li>\n<li>Manuel Vald\u00e9s fern\u00e1ndez (vocal)<\/li>\n<li>Javier Rivera blanco (vocal)<\/li>\n<li>enrique Valdivieso gonz\u00e1lez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eduardo Azofra Agustin Se centra en el estudio de la obra de juan de sagarbinaga a partir [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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