{"id":25500,"date":"2018-03-09T09:16:55","date_gmt":"2018-03-09T09:16:55","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-carpinteria-en-la-arquitectura-nazara%c2%ad\/"},"modified":"2018-03-09T09:16:55","modified_gmt":"2018-03-09T09:16:55","slug":"la-carpinteria-en-la-arquitectura-nazara%c2%ad","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-carpinteria-en-la-arquitectura-nazara%c2%ad\/","title":{"rendered":"La carpinter\u00eda en la arquitectura nazar\u00ed"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  L\u00f3pez Pert\u00ed\u00f1ez M. Carmen <\/strong><\/h2>\n<p>Este trabajo consta de cuatro vol\u00famenes: dos, son los cat\u00e1logos de piezas de carpinter\u00eda nazar\u00ed del museo de la alhambra y el de carpinter\u00eda nazar\u00ed de la alhambra. Los otros dos vol\u00famenes est\u00e1n dedicados a estudios, estructurados en 12 cap\u00edtulos.  los cat\u00e1logos aportan los ejemplos b\u00e1sicos de la carpinter\u00eda nazar\u00ed. son m\u00e1s de 400 piezas entre las que pueden encontrarse desde los elementos descontextualizados del museo de la alhambra, hasta las estructuras \u00abin situ\u00bb a las que muchas de estas piezas pertenec\u00edan. Estos cat\u00e1logos se estructuran por medio de fichas de campo en las que se recogen desde los datos museol\u00f3gicos (en su caso), la ubicaci\u00f3n de la estructura en los palacios de la alambra, dimensiones, cronolog\u00eda, caracter\u00edsticas, decorativas, bibliograf\u00eda y descripciones (croquis de plantas y fotograf\u00edas), acompa\u00f1ados de su clasificaci\u00f3n estructural.  en los estudios, adem\u00e1s de definir cada una de las estructuras carpinteras estudiadas, se hace un recorrido por los aspectos t\u00e9cnicos de las mismas. se aportan datos antracol\u00f3gicos para la identificaci\u00f3n de las especies arb\u00f3reas utilizadas en la construcci\u00f3n de estas piezas, y an\u00e1lisis de policrom\u00eda que nos han permitido definir parte de la t\u00e9cnica de ejecucci\u00f3n empleada en las terminaciones pol\u00edcromas de estas piezas. Igualmente se incluye un cap\u00edtulo dedicado a aspectos decorativos, en el que se resaltan las caracter\u00edsticas espec\u00edficas observables en los trabajos decorados de carpinter\u00eda nazar\u00ed, que los diferencian de las realizaciones sobre otros materiales especialmente en los casos de los trabajos tallados.  adem\u00e1s, en los cap\u00edtulos introductorios, se hace una amplia explicaci\u00f3n metodol\u00f3gica y la correspondiente justificaci\u00f3n del trabajo; \u00e9sta se argumenta en dos cuestiones fundamentales; por un lado el objetivo fundamental que creemos haber superado, conseguir el conocimiento necesario sobre carpinter\u00eda nazar\u00ed, tanto a nivel materia<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La carpinter\u00eda en la arquitectura nazar\u00ed<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La carpinter\u00eda en la arquitectura nazar\u00ed <\/li>\n<li><strong>Autor:<\/strong>\u00a0  L\u00f3pez Pert\u00ed\u00f1ez M. Carmen <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/09\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>moreno Calera Jos\u00e9 Manuel G\u00f3mez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Antonio Fernandez puertas <\/li>\n<li>\u00e1ngela Franco mata (vocal)<\/li>\n<li>gonzalo Borras gualis (vocal)<\/li>\n<li>Antonio Orihuela uzal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de L\u00f3pez Pert\u00ed\u00f1ez M. Carmen Este trabajo consta de cuatro vol\u00famenes: dos, son los cat\u00e1logos de piezas de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[19583,74272,58480,5824,74270,74271],"class_list":["post-25500","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-angela-franco-mata","tag-antonio-fernandez-puertas","tag-antonio-orihuela-uzal","tag-gonzalo-borras-gualis","tag-lopez-pertinez-m-carmen","tag-moreno-calera-jose-manuel-gomez"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/25500","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=25500"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/25500\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=25500"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=25500"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=25500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}