{"id":2601,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/el-teatro-de-la-revolucion-y-el-imperio-aproximacion-critica-al-melodrama\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"el-teatro-de-la-revolucion-y-el-imperio-aproximacion-critica-al-melodrama","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-teatro-de-la-revolucion-y-el-imperio-aproximacion-critica-al-melodrama\/","title":{"rendered":"El teatro de la revolucion y el imperio: aproximacion critica al melodrama"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Huerta Rodriguez Joaquin De La <\/strong><\/h2>\n<p>Esta tesis doctoral persigue dos objetivos fundamentales:  en primer lugar, la recuperacion academica y critica de un genero dramatico generalmente obviado en la consideracion de la evolucion teatral europea: el melodrama, genero del que se ofrece un cuadro historico-critico (1800-1830) y para el que se establecen relaciones etico-esteticas ineditas con respecto al resto de generos teatrales y narrativos comunmente reconocidos por la critica. Se desarrollan igualmente sus principales caracteristicas escenograficas e ideologicas, de las que se sugieren puntos de supervivencia en formas teatrales de vanguardia a traves del filtro, ancestral y rupturista de a. Artaud.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El teatro de la revolucion y el imperio: aproximacion critica al melodrama<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El teatro de la revolucion y el imperio: aproximacion critica al melodrama <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Huerta Rodriguez Joaquin De La <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Concepcion Perez Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Angeles Santas Va\u00f1eres <\/li>\n<li>Carmen Camero Perez (vocal)<\/li>\n<li>Dolores Gimenez Plaza (vocal)<\/li>\n<li>Lourdes Carriedo Lopez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Huerta Rodriguez Joaquin De La Esta tesis doctoral persigue dos objetivos fundamentales: en primer lugar, la recuperacion [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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