{"id":2628,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/la-estampa-en-el-arte-de-antoni-clave-litografia-y-grabado\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-estampa-en-el-arte-de-antoni-clave-litografia-y-grabado","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-estampa-en-el-arte-de-antoni-clave-litografia-y-grabado\/","title":{"rendered":"La estampa en el arte de antoni clave: litografia y grabado."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Moreno Montoro M. Isabel <\/strong><\/h2>\n<p>El objetivo fundamental de esta tesis es la estampa artistica original del artista espa\u00f1ol antoni clave tanto considerada en el ambito internacional como en el de la propia obra del artista. Clave es internacionalmente celebre, sin embargo en espa\u00f1a es un autor poco conocido, debido a esto y a la pluralidad de su obra, en la primera parte de la tesis se hace preciso un estudio previo de las diferentes facetas artisticas que el ha trabajado.  este estudio se hace no solo con el objetivo de dar informacion de toda la capacidad artistica de clave, sino tambien para analizar los diferentes puntos que dan union a toda la produccion del artista. Se han considerado cuatro elementos: azar y trabajo (por la importancia que el propio clave le otorga al azar en su vida y su obra), color (destacando su preferencia por el negro), materiales (los propios de la profesion y otros de deshecho) y tecnica (mixta en cuanto a materiales y procedimientos). Todo esto se hace derivando su incidencia en la estampa.  en la segunda parte se hace una valoracion especifica de la obra litografica y grabada del artista, las diferentes tecnicas tratadas en ambos procedimientos y los elementos tecnicos y estilisticos que han llevado a considerar la obra estampada de clave uno de los pilares fundamentales de la historia de la estampacion de este siglo.  finalmente se puede consultar los apendices de entrevista personal al artista, catalogacion de su obra estampada y vocabulario y tecnicas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La estampa en el arte de antoni clave: litografia y grabado.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La estampa en el arte de antoni clave: litografia y grabado. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Moreno Montoro M. Isabel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Manzorro Perez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Ara\u00f1o Gisbert Juan  Carlos <\/li>\n<li>Rafael Perez Cortes (vocal)<\/li>\n<li> Herrero Gomez Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<li> Carrasco Gimena Mar\u00eda  Teresa (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Moreno Montoro M. Isabel El objetivo fundamental de esta tesis es la estampa artistica original del artista [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4100,10715,1111],"tags":[4105,11143,11142,11140,11139,11141],"class_list":["post-2628","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-dibujo-y-grabado","category-sevilla","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-arano-gisbert-juan-carlos","tag-carrasco-gimena-maria-teresa","tag-herrero-gomez-jose-maria","tag-manuel-manzorro-perez","tag-moreno-montoro-m-isabel","tag-rafael-perez-cortes"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=2628"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2628\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=2628"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=2628"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=2628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}