{"id":26972,"date":"2018-03-09T09:19:02","date_gmt":"2018-03-09T09:19:02","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-figura-del-angel-en-la-generacion-del-27\/"},"modified":"2018-03-09T09:19:02","modified_gmt":"2018-03-09T09:19:02","slug":"la-figura-del-angel-en-la-generacion-del-27","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/murcia\/la-figura-del-angel-en-la-generacion-del-27\/","title":{"rendered":"La figura del \u00e1ngel en la generaci\u00f3n del 27"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mar\u00edn Ure\u00f1a Jos\u00e9 Manuel <\/strong><\/h2>\n<p>A trav\u00e9s de esta investigaci\u00f3n perseguimos comprender el sentido que la imagen del \u00e1ngel,tanto en su vertiente celestial como en la infernal, posee en los escritos de los poetas del 27. Para el desarrollo de este cometido era necesario el establecimiento de unos principios te\u00f3ricos a prop\u00f3sito de la figura del \u00e1ngel, que son los que pretenden ser clarificados en el primer cap\u00edtulo de nuestro estudio: diferenciaci\u00f3n entre el modelo judeocristiano del \u00e1ngel y su formulaci\u00f3n textual; determinaci\u00f3n de la verdadera naturaleza literaria de los esp\u00edritus divinos; concreci\u00f3n del espacio de an\u00e1lisis. dado que la pareja tradici\u00f3n\/vanguardia es uno de los descriptores caracter\u00edsticos del grupo po\u00e9tico del 27, las potencias ang\u00e9licas son estudiadas no s\u00f3lo atendiendo a la producci\u00f3n de otros autores contempor\u00e1neos de los escritores del 27 sino tambi\u00e9n dirigiendo la mirada hacia el pasado de este modo, realizamos una pormenorizada revisi\u00f3n de las plasmaciones de \u00e1ngeles y diablos en nuestra historia literaria desde la edad media hasta nuestros d\u00edas, acudiendo a algunas manifestaciones ang\u00e9licas sobresalientes de otros pa\u00edses. Trazado este viaje, nos internamos en la codificaci\u00f3n de la figura del \u00e1ngel en los diez autores m\u00e1s reconocidos de la generaci\u00f3n del 27, sin obviar las aportaciones de otras personalidades que conforman el denominado entorno del 27. Nos ocupamos de las materializaciones del \u00e1ngel en todas las variedades de g\u00e9nero practicadas por estos autores (poes\u00eda,teatro,narrativa, ensayo) a lo largo de toda su creaci\u00f3n art\u00edstica con el fin de obtener un conocimiento pleno y riguroso. A trav\u00e9s de un estudio individualizado del \u00e1ngel en cada uno de los poetas del 27, comprobaremos c\u00f3mo \u00e9stos, aunando tradici\u00f3n,vanguardia y mundos personales, elaboraron un programa ang\u00e9lico literario en el que ten\u00edan cabida todas las variedades expresivas de las entidades ultraterrenas.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La figura del \u00e1ngel en la generaci\u00f3n del 27<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La figura del \u00e1ngel en la generaci\u00f3n del 27 <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mar\u00edn Ure\u00f1a Jos\u00e9 Manuel <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Murcia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 21\/11\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Francisco Javier Diez De Revenga Torres<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Mar\u00eda no de Paco moya <\/li>\n<li>felipe blas Pedraza jimenez (vocal)<\/li>\n<li>Juan Matas caballero (vocal)<\/li>\n<li>german Vega garcia luengos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00edn Ure\u00f1a Jos\u00e9 Manuel A trav\u00e9s de esta investigaci\u00f3n perseguimos comprender el sentido que la imagen del [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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