{"id":27392,"date":"2003-09-12T00:00:00","date_gmt":"2003-09-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/tim-burton-y-la-construccion-del-universo-fantastico-1982-1999\/"},"modified":"2003-09-12T00:00:00","modified_gmt":"2003-09-12T00:00:00","slug":"tim-burton-y-la-construccion-del-universo-fantastico-1982-1999","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/tim-burton-y-la-construccion-del-universo-fantastico-1982-1999\/","title":{"rendered":"Tim burton y la construcci\u00f3n del universo fant\u00e1stico (1982-1999)"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Solaz Frasquet Luc\u00eda Mar <\/strong><\/h2>\n<p>En esta tesis estudiamos las caracter\u00edsticas de la obra de tim burton, uno de los cineastas m\u00e1s originales y estimulantes del hollywood actual. ponemos en relaci\u00f3n su producci\u00f3n cinematogr\u00e1fica con su biograf\u00eda, examinamos su situaci\u00f3n dentro del contexto de la industria hollywoodiense y hablamos de las constantes est\u00e9ticas y tem\u00e1ticas que conforman su po\u00e9tica visual.  abordamos la problem\u00e1tica del g\u00e9nero, el fant\u00e1stico y la tradici\u00f3n g\u00f3tico-expresionista con el fin de comprender la obra de un autor que reinterpreta la tradici\u00f3n cultural desde la \u00f3ptica de la postmodernidad. Tratamos los problemas y contradicciones que plantean tanto la concepci\u00f3n tradicional de los g\u00e9neros f\u00edlmicos como la teor\u00eda del cine de autor y hablamos de la particular reflexi\u00f3n gen\u00e9rica que realiza el cineasta en sus pel\u00edculas, conect\u00e1ndolo al mismo tiempo con las caracter\u00edsticas de la cultura postmoderna en la que se encuentra inmerso. Ponemos un inter\u00e9s especial en los temas y mitos del fant\u00e1stico, todos ellos evocados en las pel\u00edculas de burton. tambi\u00e9n contemplamos la obra del cineasta como continuadora de una tradici\u00f3n que denominamos g\u00f3tico-expresionista, un movimiento continuo cuyo esp\u00edritu, est\u00e9tica y posicionamiento vital se oponen al racionalismo cl\u00e1sico. Realizamos un recorrido por los elementos que conforman una herencia que burton ha recogido principalmente a trav\u00e9s de sus manifestaciones cinematogr\u00e1ficas.  a continuaci\u00f3n tratamos el modo en que tim burton crea el espacio fant\u00e1stico mediante una ciudad\u00edsima puesta en escena donde el dise\u00f1o y la m\u00fasica compuesta por danny elfman se convierten en personajes dotados de voz.  finalmente, analizamos en profundiad eduardo manostijeras y pesadilla antes de navidad, pel\u00edculas compendio que reprensentan el conjunto de la po\u00e9tica visual del director.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Tim burton y la construcci\u00f3n del universo fant\u00e1stico (1982-1999)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Tim burton y la construcci\u00f3n del universo fant\u00e1stico (1982-1999) <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Solaz Frasquet Luc\u00eda Mar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/12\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Campany Ram\u00f3n Juan  Miguel<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: santos Zunzunegui d\u00edez <\/li>\n<li> Marzal felici Jos\u00e9 j. (vocal)<\/li>\n<li>pilar Pedraza Martinez (vocal)<\/li>\n<li>Fernando Ros galiana (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Solaz Frasquet Luc\u00eda Mar En esta tesis estudiamos las caracter\u00edsticas de la obra de tim burton, uno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[78649,58691,47281,31231,5038,78648],"class_list":["post-27392","post","type-post","status-publish","format-standard","hentry","category-sin-categoria","tag-campany-ramon-juan-miguel","tag-fernando-ros-galiana","tag-marzal-felici-jose-j","tag-pilar-pedraza-Martinez","tag-santos-zunzunegui-diez","tag-solaz-frasquet-lucia-mar"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/27392","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=27392"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/27392\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=27392"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=27392"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=27392"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}