{"id":27874,"date":"2018-03-09T09:20:20","date_gmt":"2018-03-09T09:20:20","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/invencion-y-apariencia-en-la-creacion-fotografica-actual-1975-2000\/"},"modified":"2018-03-09T09:20:20","modified_gmt":"2018-03-09T09:20:20","slug":"invencion-y-apariencia-en-la-creacion-fotografica-actual-1975-2000","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/invencion-y-apariencia-en-la-creacion-fotografica-actual-1975-2000\/","title":{"rendered":"Invenci\u00f3n y apariencia en la creaci\u00f3n fotogr\u00e1fica actual (1975-2000)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Laura Bravo L\u00f3pez <\/strong><\/h2>\n<p>Dentro de la compleja omnipresencia que la fotograf\u00eda ha ido progresivamente conquistando en el espacio art\u00edstico en el \u00faltimo cuarto del siglo xx, una de las tendencias m\u00e1s n\u00edtidas ha sido el alejamiento progresivo de la realidad, a trav\u00e9s de la representaci\u00f3n de invenciones o de juegos de apariencia. Entre las numerosas vertientes en que esta invasi\u00f3n de la ficci\u00f3n fotogr\u00e1fica se presenta en la creaci\u00f3n visual actual, aqu\u00ed se analizan principalmente cuatro aspectos: la parodia de la tradici\u00f3n cient\u00edfica y documental de la fotograf\u00eda, junto con la de la ret\u00f3rica de diversos elementos de autoridad en la difusi\u00f3n del conocimiento o de la informaci\u00f3n; la construcci\u00f3n de relatos a trav\u00e9s de la fotograf\u00eda, la representaci\u00f3n, y la construcci\u00f3n de escenas de una supuesta intimidad no invadida, y la construcci\u00f3n de espacios y escenarios ficticios o de personajes artificiales que adquieren un elevado grado de realidad, a trav\u00e9s de trucos visuales con dispositivos fotogr\u00e1ficos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Invenci\u00f3n y apariencia en la creaci\u00f3n fotogr\u00e1fica actual (1975-2000)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Invenci\u00f3n y apariencia en la creaci\u00f3n fotogr\u00e1fica actual (1975-2000) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Laura Bravo L\u00f3pez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Juan  Antonio Ramirez Dominguez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: javier Hernando carrasco <\/li>\n<li>anna Mar\u00eda Guasch ferrer (vocal)<\/li>\n<li>Ana Avila (vocal)<\/li>\n<li>  (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Laura Bravo L\u00f3pez Dentro de la compleja omnipresencia que la fotograf\u00eda ha ido progresivamente conquistando en el [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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