{"id":27895,"date":"2018-03-09T09:20:21","date_gmt":"2018-03-09T09:20:21","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/recepcion-e-influencia-del-teatro-de-plauto-en-la-literatura-espanola\/"},"modified":"2018-03-09T09:20:21","modified_gmt":"2018-03-09T09:20:21","slug":"recepcion-e-influencia-del-teatro-de-plauto-en-la-literatura-espanola","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/rioja\/recepcion-e-influencia-del-teatro-de-plauto-en-la-literatura-espanola\/","title":{"rendered":"Recepci\u00f3n e influencia del teatro de plauto en la literatura espa\u00f1ola"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eva Marqu\u00e9s L\u00f3pez <\/strong><\/h2>\n<p>La tesis doctoral se inseta dentro de la disciplina de la tracdici\u00f3n cl\u00e1sica y tiene como objetivo analizar hasta qu\u00e9 punto el teatro de plauto influy\u00f3 en la evoluci\u00f3n y desarrollo del teatro espa\u00f1ol.Teniendo en cuenta la elcci\u00f3n de \u00e9pocas , autores y obras, se estructura la tesis en tres cap\u00edtulos:el primero, dedicado a la transmisi\u00f3n y valoraci\u00f3n de la obra de plauto desde la antig\u00ed\u00bcedad hasta la edad media, seguido por un segundo cap\u00edtulo sobre el teatro culto del siglo xvi y tercer cap\u00edtulo sobre el teatro popular, en especial el de los siglos xvi y xvii.  tras el primer cap\u00edtulo introductorio sobre la transmisi\u00f3n textual de la comedias de plauto, los dos cap\u00edtulos siguientes se dedican al an\u00e1lisis de las obras espa\u00f1olas basadas en comedias plautins y que constituyen el verdadero n\u00facleo de la tesis. Comenzando por el teatro culto desarrollo en las universidades p\u00fablicas y en los colegios de jesuitas, este cap\u00edtulo comprende:el teatro universitario en lat\u00edn escrito por j. De maldonado, j.P\u00e9rez \u00abpetreyo\u00bb y j. Lorenzo palmireno;el teatro universitario en castellano, con traducciones del anfitri\u00f3n de f.L\u00f3pez de villalobos y de f.P\u00e9rez de oliva, y tres versiones an\u00f3nimas de 1554 y 1555 y el teatro jesu\u00edtico.  en el cap\u00edtulo dedicado al teatro popular se analizan los primeros dramaturgos del siglo xvi, j. Del encina, l.Fern\u00e1ndez o d. S\u00e1nchez de badajoz, una obra fundamental de la literatura espa\u00f1ola como la celestina de fernado de rojas, las obras de b. De torres naharro, o la influencia del teatro de plauto a trav\u00e9s del teatro italiano en las  comedias de lope de rueda o j. De timoneda, ambos con indudables influencias plautinas, hasta llegar a lope de vega y calder\u00f3n de la barca, en los que la influencia plautina es m\u00e1s indirecta y difusa.  este trabajo ha demostrado la pervivencia de plauto en buena parte del teatro espa\u00f1os de los siglos xv,xvi y xvii, as\u00ed como la manera en que esa influencia puede<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Recepci\u00f3n e influencia del teatro de plauto en la literatura espa\u00f1ola<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Recepci\u00f3n e influencia del teatro de plauto en la literatura espa\u00f1ola <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eva Marqu\u00e9s L\u00f3pez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Rioja<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/12\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Rio Sanz Emilio Del<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Jos\u00e9 Mar\u00eda maestre maestre <\/li>\n<li>Javier Huerta calvo (vocal)<\/li>\n<li>vicente Cristobal lopez (vocal)<\/li>\n<li>angel Gomez moreno (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eva Marqu\u00e9s L\u00f3pez La tesis doctoral se inseta dentro de la disciplina de la tracdici\u00f3n cl\u00e1sica y [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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