{"id":27954,"date":"2018-03-09T09:20:27","date_gmt":"2018-03-09T09:20:27","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aplicacion-del-lenguaje-atonal-a-la-musica-cinematografica\/"},"modified":"2018-03-09T09:20:27","modified_gmt":"2018-03-09T09:20:27","slug":"aplicacion-del-lenguaje-atonal-a-la-musica-cinematografica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/aplicacion-del-lenguaje-atonal-a-la-musica-cinematografica\/","title":{"rendered":"Aplicaci\u00f3n del lenguaje atonal a la m\u00fasica cinematogr\u00e1fica."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Arcos Rus Mar\u00eda  De <\/strong><\/h2>\n<p>El siglo xx ha sido testido desde sus inicios de una profunda transformaci\u00f3n en el \u00e1rea de la m\u00fasica, una transici\u00f3n de vastas implicaciones que ata\u00f1en no s\u00f3lo a su evoluci\u00f3n, est\u00e9tica, sino a m\u00faltiples factores de rango social, econ\u00f3mico, pol\u00edtico o filos\u00f3fico, entre otros. Los cambios originados afectaron sustancialmente a la estructura arm\u00f3nica del lenguaje musical, al desestabilizar el sistema funcional cl\u00e1sico que hab\u00eda permanecido vigente durante doscientos a\u00f1os: la tonalidad. Paralelamente, la m\u00fasica integrada en el espect\u00e1culo cinematogr\u00e1fico desde los comienzos del sonoro se mantuvo estacionada en el lenguaje, af\u00edn al romanticismo mel\u00f3dico tard\u00edo propio del siglo xix, trazando as\u00ed un camino independiente al de la m\u00fasica aut\u00f3noma.  podemos afirmar, pues, que existe un desconocimiento general sobre la percepci\u00f3n del espectador medio que contempla una pel\u00edcula en ausencia de referentes tonales. Por ello, el objeto principal de esta tesis es demostrar c\u00f3mo una m\u00fasica cinematogr\u00e1fica de car\u00e1cter atonal puede ser an\u00e1loga en efectividad a toda aquella m\u00fasica de \u00edndole tonal que prevalece mayoritariamente en las pantallas. \/ La tesis consta de cuatro cap\u00edtulos:  i- planteamiento te\u00f3rico del area de investigaci\u00f3n\/ ii- exposici\u00f3n de la hip\u00f3tesis \/ iii- an\u00e1lisis te\u00f3rico-pr\u00e1ctico de modelos referenciales: la mujer de la arena (hiroshi teshigahara, 1964, jap\u00f3n) y el planeta de los simios (francun j. Schaffner, 1968, usa). Iv- aplicaci\u00f3n experimental de la hip\u00f3tesis: an\u00e1lisis de una banda sonora compuesta por la autora con lenguaje atonal para film, cortometraje de samuel begcett dirigido por alan schneider en 1964\/ tras la exposici\u00f3n de conclusiones, la tesis se completa en un ap\u00e9ndice-dossier de las pel\u00edculas avanzadas, m\u00e1s un glosario ilustrado de t\u00e9rminos musicales.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aplicaci\u00f3n del lenguaje atonal a la m\u00fasica cinematogr\u00e1fica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aplicaci\u00f3n del lenguaje atonal a la m\u00fasica cinematogr\u00e1fica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Arcos Rus Mar\u00eda  De <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/12\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Carlos Col\u00f3n Perales<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  L\u00f3pez l\u00f3pez Jos\u00e9 Luis <\/li>\n<li>Antonio Mart\u00edn moreno (vocal)<\/li>\n<li>santos Zunzunegui d\u00edez (vocal)<\/li>\n<li>Manuel \u00e1ngel V\u00e1zquez medel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Arcos Rus Mar\u00eda De El siglo xx ha sido testido desde sus inicios de una profunda transformaci\u00f3n [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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