{"id":28046,"date":"2018-03-09T09:20:35","date_gmt":"2018-03-09T09:20:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/mundos-ficcionales-de-la-narrativa-literaria-a-la-narrativa-filmica\/"},"modified":"2018-03-09T09:20:35","modified_gmt":"2018-03-09T09:20:35","slug":"mundos-ficcionales-de-la-narrativa-literaria-a-la-narrativa-filmica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/oviedo\/mundos-ficcionales-de-la-narrativa-literaria-a-la-narrativa-filmica\/","title":{"rendered":"Mundos ficcionales: de la narrativa literaria a la narrativa filmica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ismael Pi\u00f1era Tarque <\/strong><\/h2>\n<p>La presente investigaci\u00f3n pretende, bajo el t\u00edtulo general de mundos ficcionales: de la narrativa literaria a la narrativa f\u00edlmica, contribuir al an\u00e1lisis comparativo entre literatura y cine en el concreto terreno de la ficcionalidad, a partir de la fijaci\u00f3n de sus caracteres literarios y la posterior reflexi\u00f3n sobre la relaci\u00f3n que \u00e9stos puedan mantener con la especificidad ficcional del discurso f\u00edlmico, continuidad anal\u00edtica que surge de la consideraci\u00f3n del cine como arte narrativo en buena medida heredero de la tradici\u00f3n literaria.  para ello, la investigaci\u00f3n propone en un primer momento un acercamiento a la ficci\u00f3n literaria a partir de la po\u00e9tica de los mundos posibles literarios, cuyo rendimiento se demuestra en el an\u00e1lisis de diversos subg\u00e9neros narrativos (de la utop\u00eda a la ciencia-ficci\u00f3n o el g\u00e9nero fant\u00e1stico); posteriormente, se realiza un trasplante de tales postulados te\u00f3ricos al arte cinematogr\u00e1fico con el objetivo de formular a su vez una tesis consistente sobre los mundos posibles f\u00edlmicos, por su parte contrastada con el an\u00e1lisis paralelo de aspectos como la narraci\u00f3n personal subjetiva. Finalmente, se proponen una serie de perspectivas comparatistas -con especial atenci\u00f3n a la adaptaci\u00f3n concreta de mundo ficcionales dados de un arte a otra- que quedan abiertas a la investigaci\u00f3n gracias a la mirada te\u00f3rica ofertada por la po\u00e9tica de los mundos posibles.  el estudio se configura as\u00ed como un an\u00e1lisis comparativo y narratol\u00f3gico especialmente interesado en fen\u00f3meno de la ficcionalidad tal y como lo comparten ambas artes, y en concreto  en la luz que tal consideraciones puedan arrojar sobre t\u00e9cnicas, tipos y convenciones ficcionales de diversos modos narrativos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Mundos ficcionales: de la narrativa literaria a la narrativa filmica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Mundos ficcionales: de la narrativa literaria a la narrativa filmica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ismael Pi\u00f1era Tarque <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Oviedo<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/12\/2003<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Cueto Perez Magdalena Pazzis<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Bobes naves Mar\u00eda  del carmen <\/li>\n<li> De la plaza Santiago Francisco Javier (vocal)<\/li>\n<li>Juan  Miguel Company ramon (vocal)<\/li>\n<li>Emilio Frechilla d\u00edaz (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ismael Pi\u00f1era Tarque La presente investigaci\u00f3n pretende, bajo el t\u00edtulo general de mundos ficcionales: de la narrativa [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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