{"id":28216,"date":"2018-03-09T09:20:49","date_gmt":"2018-03-09T09:20:49","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-trafico-arta%c2%adstico-entre-espana-y-filipinas-1565-1815\/"},"modified":"2018-03-09T09:20:49","modified_gmt":"2018-03-09T09:20:49","slug":"el-trafico-arta%c2%adstico-entre-espana-y-filipinas-1565-1815","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-trafico-arta%c2%adstico-entre-espana-y-filipinas-1565-1815\/","title":{"rendered":"El tr\u00e1fico art\u00edstico entre espa\u00f1a y filipinas (1565-1815)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Ana Ruiz Guti\u00e9rrez <\/strong><\/h2>\n<p>Bajo el t\u00edtulo el tr\u00e1fico art\u00edstico entre espa\u00f1a y filipinas (165-1815) enmarcamos este estudio que se estructura en doce cap\u00edtulos, destacando tres bloques principales, el primero de ellos explica la importancia que tuvieron los habitantes de la cordillera monta\u00f1osa de luz\u00f3n, la isla m\u00e1s poblada del archipi\u00e9lago filipinio, en la conformaci\u00f3n del mismo en la etapa prehisp\u00e1nica, incidiendo en cuestiones como el paisaje, la sociedad y sobre todo en sus manifestaciones art\u00edsticas, las cuales van a ser el precedente de piezas que se realizaran en la etapa colonial.  el segundo bloque se centra en la incidencia de los espa\u00f1oles en el archipi\u00e9lago durante trescientos treinta y tres a\u00f1os, durante los cuales sostuvieron la colonia m\u00e1s lejana de la metr\u00f3poli. \u00e9Ste se esquematiza en varios apartados, destacando el destinado al estudio de las rutas transpac\u00edficas en el descubrimiento del pac\u00edfico, el estudio pormenorizado de las leyes de indias que estructuraron \u00e9ste tr\u00e1fico comercial y art\u00edstico, el proceso hist\u00f3rico de manila, incidiendo en al an\u00e1lisis de la audiencia de manila, desde una perspectiva econ\u00f3mica, social y administrativa. Finalmente este segundo bloque se cierra con el estudio pormenorizado de todas las \u00f3rdenes religiosas que colaboraron en la evangelizaci\u00f3n del archipi\u00e9lago.  en el segundo bloque se articula la parte destinada al estudio de la producci\u00f3n art\u00edstica, incidiendo en los or\u00edgenes del mestizaje art\u00edstico, en las colecciones reales, las colecciones hispanofilipinas y finalmente las donaciones particulares.  dentro de este bloque se enmarcar\u00eda el c\u00f3digo de piezas con m\u00e1s de doscientas divididas en las producciones de arte asi\u00e1tico. Las producciones de una nueva est\u00e9tica con preponderancia de las novohispanas y espa\u00f1olas, aunque con una marcada influencia oriental y finalmente las piezas del arte religioso filipino.  concluimos este estudio con unas consideraciones finales a modo de c<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El tr\u00e1fico art\u00edstico entre espa\u00f1a y filipinas (1565-1815)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El tr\u00e1fico art\u00edstico entre espa\u00f1a y filipinas (1565-1815) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Ana Ruiz Guti\u00e9rrez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/01\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Ignacio Henares Cu\u00e9llar<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alfredo Morales Martinez <\/li>\n<li>Miguel angel Castillo oreja (vocal)<\/li>\n<li>Miguel Molina (vocal)<\/li>\n<li>Rafael L\u00f3pez guzm\u00e1n (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Ana Ruiz Guti\u00e9rrez Bajo el t\u00edtulo el tr\u00e1fico art\u00edstico entre espa\u00f1a y filipinas (165-1815) enmarcamos este estudio [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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