{"id":2855,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/secreto-a-voces-enunciacion-y-homosexualidad-en-el-texto-teatral-tennessee-williams-y-joe-orton\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"secreto-a-voces-enunciacion-y-homosexualidad-en-el-texto-teatral-tennessee-williams-y-joe-orton","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/secreto-a-voces-enunciacion-y-homosexualidad-en-el-texto-teatral-tennessee-williams-y-joe-orton\/","title":{"rendered":"Secreto a voces: enunciacion y homosexualidad en el texto teatral. (tennessee williams y joe orton)."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Alberto Mira Nouselles <\/strong><\/h2>\n<p>Nos proponemos dos objetivos. En primer lugar, se trata de describir y teorizar un elemento enunciativo del texto dramatico: lo que denominaremos \u00abenunciacion\u00bb o \u00abvoz\u00bb homosexual, considerada como el resultado del posicionamiento especial de los dramaturgos homosexuales; i.E., Como es posible identificar en el texto dramatico toda una serie de elementos que remiten a la identidad sexual del autor. En segundo lugar, se trata de aplicar nuestras reflexiones, especificamente, a la obra de dos dramaturgos: tennessee williams y joe orton. En este apartado estudiamos las representaciones del homosexual en ambos autores en relacion a dos estructuras paranoicas de discurso: el armario y la homofobia; pero, ademas, nos interesa destacar como en ambos casos encontraremos elementos de resistencia a las representaciones hegemonicas de la homosexualidad, que hacen del posicionamiento homosexual una posicion enunciativa privilegiada que contribuye a la singularidad de los respectivos mundos dramaticos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Secreto a voces: enunciacion y homosexualidad en el texto teatral. (tennessee williams y joe orton).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Secreto a voces: enunciacion y homosexualidad en el texto teatral. (tennessee williams y joe orton). <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Alberto Mira Nouselles <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Universitat de val\u00e9ncia (estudi general)<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Miguel Teruel Pozas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Rafael Portillo Garc\u00eda <\/li>\n<li>Antonio Tordera S\u00e1ez (vocal)<\/li>\n<li>Paul Sulian Smith (vocal)<\/li>\n<li>Josep LLuis Sirera Turo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Alberto Mira Nouselles Nos proponemos dos objetivos. En primer lugar, se trata de describir y teorizar un [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628],"tags":[12087,11546,11559,12088,12090,12089],"class_list":["post-2855","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","tag-alberto-mira-nouselles","tag-antonio-tordera-saez","tag-josep-lluis-sirera-turo","tag-miguel-teruel-pozas","tag-paul-sulian-smith","tag-rafael-portillo-garcia"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=2855"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/2855\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=2855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=2855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=2855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}