{"id":28603,"date":"2004-10-02T00:00:00","date_gmt":"2004-10-02T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/rafael-alberti-y-la-musica\/"},"modified":"2004-10-02T00:00:00","modified_gmt":"2004-10-02T00:00:00","slug":"rafael-alberti-y-la-musica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/rafael-alberti-y-la-musica\/","title":{"rendered":"Rafael alberti y la m\u00fasica"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Eladio Mateos Miera <\/strong><\/h2>\n<p>Partiendo de una perspectiva investigadora de artes comparadas, el trabajo establece las relaciones de rafael alberti con la m\u00fasica a trav\u00e9s de una biograf\u00eda musical del escritor dividida en cuatro cap\u00edtulos:  infancia y juventud, en el contexto de la generaci\u00f3n del 27; literatura compremetida durante los a\u00f1os treinta del siglo xx; exilio del autor; y retorno a espa\u00f1a en la \u00faltima etapa de su vida.  la metodolog\u00eda propuesta para la investigaci\u00f3n presentada no se basa en la b\u00fasqueda de correspondencias directas entre los c\u00f3digos art\u00edsticos de la m\u00fasica y la poes\u00eda, sino en la utilizaci\u00f3n tem\u00e1tica de la m\u00fasica en la literatura y la forma en que \u00e9sta, usando sus propios medios de expresi\u00f3n, puede reproducir los efectos art\u00edsticos de la m\u00fasica.  se incide fundamentalmente en las numerosas obras escritas por el autor para ser puesta en m\u00fasica (canciones de compromiso pol\u00edtico, cantatas), faceta poco conocida de su actividad creadora, y en sus numerosas colaboraciones en actividades musicales (teatro musical, recitales, conciertos), as\u00ed como en su cercan\u00eda amistosa y art\u00edstica con numerosos compositores (falla, espl\u00e1, los halffter, gustavo dur\u00e1n, federico elizalde, juli\u00e1n bautisa, bacarisse, garc\u00eda leoz, carlos palacio, manolo sanl\u00facar, etc.) E int\u00e9rpretes (paco aguilar, conchita bad\u00eda, paco ib\u00e1\u00f1es, m.Caball\u00e9, enrique llopis, etc.). Tambi\u00e9n se estudian otras facetas musicales de alberti, como sus actividades como folclorista. Todas estas conexiones con el mundo del arte sonoro nos llevan a apreciar en alberti una actitud singular respecto a la m\u00fasica entre todos los escritores de su generaci\u00f3n e incluso entre todos los del siglo xx hisp\u00e1nico, lo que presenta el autor como el m\u00e1s abierto del 27 a colaboraciones en obras interdisciplinares de m\u00fasica y literatura. la tesis recupera diversos textos olvidados (\u00ab\u00bbcanci\u00f3n a tahelmann\u00bb\u00bb, \u00ab\u00bbhimno de las bibliotecas proletarias\u00bb\u00bb, \u00ab\u00bbhimno a la gloriosa\u00bb\u00bb, \u00ab\u00bbhimno a l<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Rafael alberti y la m\u00fasica<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Rafael alberti y la m\u00fasica <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Eladio Mateos Miera <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Granada<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/02\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio S\u00e1nchez Trigueros<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: gregorio Torres nebrera <\/li>\n<li> Argente del castillo concepci\u00f3n (vocal)<\/li>\n<li> Mart\u00ednez del fresno beatriz (vocal)<\/li>\n<li>Antonio Chicharro chamorro (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Eladio Mateos Miera Partiendo de una perspectiva investigadora de artes comparadas, el trabajo establece las relaciones de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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