{"id":28750,"date":"2018-03-09T09:21:35","date_gmt":"2018-03-09T09:21:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-fotografa%c2%ada-en-la-revista-ilustrada-estampa-1928-1938\/"},"modified":"2018-03-09T09:21:35","modified_gmt":"2018-03-09T09:21:35","slug":"la-fotografa%c2%ada-en-la-revista-ilustrada-estampa-1928-1938","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-valencia\/la-fotografa%c2%ada-en-la-revista-ilustrada-estampa-1928-1938\/","title":{"rendered":"La fotograf\u00edaen la revista ilustrada. estampa (1928-1938)"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Francesc Vera Casas <\/strong><\/h2>\n<p>En un primer cap\u00edtulo se estudia la evoluci\u00f3n de la revista ilustrada, desde su aparici\u00f3n en los a\u00f1os inmediatamente anteriores a la segunda mitad del siglo xix, determinando los diferentes sistemas de estampaci\u00f3n existentes. paralelamente se estudian los diferentes intentos realizados para posibilitar la reproducci\u00f3n de las fotograf\u00edas mediante la imprenta hasta llegar a la aparici\u00f3n de los procedimientos fotomec\u00e1nicos que, mediante el similgrabado permiten la reproducci\u00f3n de originales de tono continuo. A continuaci\u00f3n se estudia la relaci\u00f3n entre fotograf\u00eda y revista ilustrada en el periodo que va desde el inicio del siglo xx hasta la guerra europea, as\u00ed como en el per\u00edodo de la entreguerra, se\u00f1alando las caracter\u00edsticas de cada una de ellas.  en el segundo cap\u00edtulo se aborda el an\u00e1lisis de la revista estampa, que se public\u00f3 entre los a\u00f1os 1928 y 138, abordando el estudio del \u00e1mbito empresarial e ideol\u00f3gico en que se sit\u00faa (el de su propietario, el ingeniero luis montiel balanzat), el an\u00e1lisis de las caracter\u00edsticas f\u00edsicas y formales de la revista y, en tercer lugar, las caracter\u00edsticas tem\u00e1ticas e informativas que la revista proporciona al lector.  finalmente, en un tercer cap\u00edtulo, se realiza el an\u00e1lisis de la fotograf\u00eda en la revista estampa, dividi\u00e9ndola en cuatro periodos: de 1928 a 1930, de 1931 a 1932, de 1932 a 1936 y de 1936 hasta su desaparici\u00f3n en 1938. en cada periodo se estudian los diferentes tipos de fotograf\u00edas que aparecen en cada secci\u00f3n y los fot\u00f3grafos m\u00e1s relevantes que publican en la revista, centr\u00e1ndose de manera especial en la fotograf\u00eda de reportaje.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La fotograf\u00edaen la revista ilustrada. estampa (1928-1938)<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La fotograf\u00edaen la revista ilustrada. estampa (1928-1938) <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Francesc Vera Casas <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 19\/02\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li> Calle De La Calle Rom\u00e1n De La<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: eduard Ib\u00e1\u00f1ez magraner <\/li>\n<li>Fernando Javier Canet centellas (vocal)<\/li>\n<li>ricard Huerta ramon (vocal)<\/li>\n<li>enric Mira pastor (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Francesc Vera Casas En un primer cap\u00edtulo se estudia la evoluci\u00f3n de la revista ilustrada, desde su [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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