{"id":28814,"date":"2018-03-09T09:21:40","date_gmt":"2018-03-09T09:21:40","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/estudio-comparado-del-teatro-clasico-chino-y-el-teatro-del-siglo-de-oro-espanol\/"},"modified":"2018-03-09T09:21:40","modified_gmt":"2018-03-09T09:21:40","slug":"estudio-comparado-del-teatro-clasico-chino-y-el-teatro-del-siglo-de-oro-espanol","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/valladolid\/estudio-comparado-del-teatro-clasico-chino-y-el-teatro-del-siglo-de-oro-espanol\/","title":{"rendered":"Estudio comparado del teatro cl\u00e1sico chino y el teatro del siglo de oro espa\u00f1ol"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Suping Pan <\/strong><\/h2>\n<p>El concepto de teatro ha sido estable a lo largo de la historia, ni la relaci\u00f3n dial\u00e9ctica texto\/espect\u00e1culo se ha entendido siempre del mismo modo, ya que la idea de teatro es, al igual que los dem\u00e1s g\u00e9nero literarios, hist\u00f3rica adem\u00e1s de la te\u00f3rica. Nosotros hemos seguido el criterio de denominar teatro a la obra literaria escrita para ser representada y a la representaci\u00f3n, aunque en nuestro trabajo insistamos en el fen\u00f3meno espectacular y atendamos a esa fase del proceso de comunicaci\u00f3n dram\u00e1tica que llega al espectador a trav\u00e9s de los actores en una representaci\u00f3n que transforma al lector en espectador.  el teatro chino, como todos los teatros, tiene su origen en las ceremonias rituales y sus folklores primitivos. Tras una dilatada evoluci\u00f3n culmin\u00f3 en la \u00f3pera de beijing, a mediados del siglo xviii, al conseguir fundir la quintaesencia de todas las escuelas locales acentuando sus caracter\u00edsticas: un sencill\u00edsimo escenario se define sucesivamente por la representaciones sint\u00e9ticas con un conjunto simb\u00f3lico de suntuosas vestimentas y fant\u00e1sticas m\u00e1scaras de los personajes protot\u00edpicos. La \u00f3pera de beijing desconoce las tres unidades teatrales occidentales debido a sus temas hist\u00f3ricos y legendarios que desarrolla un esquema extenso. Entre el teatro cl\u00e1sico chino y el espa\u00f1ol \u00e1ureo se perciben siguientes similitudes: primero, el espacio esc\u00e9nico y sus convenciones son muy similares. Segunda similitudes: estos dos teatros utilizan los signos del maquillaje y vestuario de forma simb\u00f3lica denotando la calidad de los personajes protot\u00edpicos. En tercer lugar, ambos aprecian en gran medida la expresi\u00f3n de los gestos y pasos. una cuarta semejanza consiste en que ambos teatros recurren a la alegor\u00eda. tambi\u00e9n la t\u00e9cnica del arte pict\u00f3rico se refleja en los signos exteriores y otros signos quin\u00e9sicos del teatro de forma emblem\u00e1tica o natural. Finalmente, el distanciamiento, junto con el constante didactismo<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Estudio comparado del teatro cl\u00e1sico chino y el teatro del siglo de oro espa\u00f1ol<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Estudio comparado del teatro cl\u00e1sico chino y el teatro del siglo de oro espa\u00f1ol <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Suping Pan <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/02\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mercedes Rodr\u00edguez Peque\u00f1o<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Bobes naves Mar\u00eda del carmen <\/li>\n<li>Antonio Rey hazas (vocal)<\/li>\n<li>isabel Para\u00edso (vocal)<\/li>\n<li>Francisco Chico rico (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Suping Pan El concepto de teatro ha sido estable a lo largo de la historia, ni la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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