{"id":29090,"date":"2004-09-03T00:00:00","date_gmt":"2004-09-03T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/poetica-del-objeto-cotidiano-en-la-escultura-contemporanea-propuesta-escultorica-personal-poesa%c2%ada-de-lo-cotidiano\/"},"modified":"2004-09-03T00:00:00","modified_gmt":"2004-09-03T00:00:00","slug":"poetica-del-objeto-cotidiano-en-la-escultura-contemporanea-propuesta-escultorica-personal-poesa%c2%ada-de-lo-cotidiano","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-valencia\/poetica-del-objeto-cotidiano-en-la-escultura-contemporanea-propuesta-escultorica-personal-poesa%c2%ada-de-lo-cotidiano\/","title":{"rendered":"Po\u00e9tica del objeto cotidiano en la escultura contempor\u00e1nea. propuesta escult\u00f3rica personal: \u00abpoes\u00edade lo cotidiano\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Irma Ortega P\u00e9rez <\/strong><\/h2>\n<p>El principal objetivo de este trabajo consiste en estudiar la relaci\u00f3n \u00abpo\u00e9tica del objeto cotidiano\u00bb en la escultura contempor\u00e1nea. Para ello, la investigaci\u00f3n se divide en tres apartados.  el primer cap\u00edtulo realiza un estudio te\u00f3rico del objeto, concretando sus or\u00edgenes, clasificaci\u00f3n y concepto de po\u00e9tica (imaginaci\u00f3n, mundo imaginario, imagen po\u00e9tica..), Desde una aproximaci\u00f3n a lo cotidiano.  el segundo cap\u00edtulo repasa corrientes art\u00edsticas del siglo xx (dada\u00edsmo, surrealismo, neodad\u00e1, arte pop y nuevo realismo franc\u00e9s), ilustrando la inclusi\u00f3n del objeto cotidiano dentro del mundo del arte contempor\u00e1neo; hasta considerarlo obra de arte. Joseph beuys y joan brossa completan el ejemplo de artistas independientes que incluyen el objeto en su obra de forma recurrente.  el tercer cap\u00edtulo presenta una propueta escult\u00f3rica personal: \u00abpoes\u00eda de los cotidiano\u00bb. Una serie de 19 obras, principalmente en piedra, en las que la alcantarilla de la ciudad de m\u00e9xico se mezcla con objetos cotidianos, o transforma su apariencia habitual; creando un mundo po\u00e9tico como alternativa al a situaci\u00f3n real de los \u00abni\u00f1os de la calle\u00bb que habitan en su interior. adem\u00e1s, se establece una comparaci\u00f3n de la propuesta con las obras de los artistas estudiados.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Po\u00e9tica del objeto cotidiano en la escultura contempor\u00e1nea. propuesta escult\u00f3rica personal: \u00abpoes\u00edade lo cotidiano\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Po\u00e9tica del objeto cotidiano en la escultura contempor\u00e1nea. propuesta escult\u00f3rica personal: \u00abpoes\u00edade lo cotidiano\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Irma Ortega P\u00e9rez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/03\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Julian Abril Ordi\u00f1aga<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: maribel Dom\u00e9nech ib\u00e1\u00f1ez <\/li>\n<li>rodolfo Conesa bermejo (vocal)<\/li>\n<li> R\u00edos palomares Miguel \u00e1ngel (vocal)<\/li>\n<li> Mi\u00f1arro lopez Juan  Manuel (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Irma Ortega P\u00e9rez El principal objetivo de este trabajo consiste en estudiar la relaci\u00f3n \u00abpo\u00e9tica del objeto [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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