{"id":29326,"date":"2018-03-09T09:22:24","date_gmt":"2018-03-09T09:22:24","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-discurso-de-todos-los-diablos-de-francisco-de-quevedo-villegas-edicion-cra%c2%adtica-y-estudio\/"},"modified":"2018-03-09T09:22:24","modified_gmt":"2018-03-09T09:22:24","slug":"el-discurso-de-todos-los-diablos-de-francisco-de-quevedo-villegas-edicion-cra%c2%adtica-y-estudio","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-discurso-de-todos-los-diablos-de-francisco-de-quevedo-villegas-edicion-cra%c2%adtica-y-estudio\/","title":{"rendered":"El discurso de todos los diablos de francisco de quevedo villegas: edici\u00f3n cr\u00edtica y estudio"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Miguel Mara\u00f1on Ripoll <\/strong><\/h2>\n<p>El trabajo es una edici\u00f3n cr\u00edtica y anotada de una de las s\u00e1tiras en prosa de francisco de quevedo.  compuesta en 1627, y situada cronol\u00f3gicamente entre los sue\u00f1os y la hora de todos, el discurso de todos los daibles o infierno enmendado es una obra que recoge todos los temas y obsesiones que son objeto de trabamiento sat\u00edrico por parte del autor. La tesis contiene un estudio preliminar en el que, tras una breve introducci\u00f3n general (i) se trata la historia del texto (ii).  otro cap\u00edtulo (iii) est\u00e1 dedicado a analizar la ideolog\u00eda subyacente en la obra desde la premisa de que est\u00e1 encuadrada dentro del g\u00e9nero literario denominado s\u00e1tira menipea, identificable desde una tradici\u00f3n cl\u00e1sica y desde los postulados de recepci\u00f3n de esta tradici\u00f3n en los siglos xvi y xvii.  en el siguiente (iv) se analiza la obra desde las teor\u00edas barrocas de la agudeza. Un breve \u00faltimo cap\u00edtulo introductorio (v) da cuenta de los criterios seguidos para la edici\u00f3n del texto, as\u00ed como los adoptados para la anotaci\u00f3n de los paisajes.  el grueso de la tesis es la edici\u00f3n propiamente dicha (vi), junto con sus notas. Los textos editados son dos; el discurso de todos los diablos y la versi\u00f3n expurgada que quevedo  public\u00f3 a\u00f1os m\u00e1s tarde con el t\u00edtulo de el entremetido y la due\u00f1a y el sopl\u00f3n. El trabajo se completa con cuatro ap\u00e9ndices (vii) con documentaci\u00f3n complementaria. Para finalizar (viii), se recoge toda la bibliograf\u00eda empleada en el trabajo, ordenada en fuentes primarias y secundarias.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El discurso de todos los diablos de francisco de quevedo villegas: edici\u00f3n cr\u00edtica y estudio<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El discurso de todos los diablos de francisco de quevedo villegas: edici\u00f3n cr\u00edtica y estudio <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Miguel Mara\u00f1on Ripoll <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/03\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Lia Schwartz<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jaime Moll roqueta <\/li>\n<li>sagrario L\u00f3pez poza (vocal)<\/li>\n<li>alfonso Rey \u00e1lvarez (vocal)<\/li>\n<li>lina Rodr\u00edguez cacho (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Miguel Mara\u00f1on Ripoll El trabajo es una edici\u00f3n cr\u00edtica y anotada de una de las s\u00e1tiras en [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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