{"id":29329,"date":"2018-03-09T09:22:24","date_gmt":"2018-03-09T09:22:24","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/arquitecturas-flotantes-barcos-de-pasaje-de-la-compana%c2%ada-trasatlantica-espanola-matagorda-1850-1939\/"},"modified":"2018-03-09T09:22:24","modified_gmt":"2018-03-09T09:22:24","slug":"arquitecturas-flotantes-barcos-de-pasaje-de-la-compana%c2%ada-trasatlantica-espanola-matagorda-1850-1939","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-madrid\/arquitecturas-flotantes-barcos-de-pasaje-de-la-compana%c2%ada-trasatlantica-espanola-matagorda-1850-1939\/","title":{"rendered":"Arquitecturas flotantes. barcos de pasaje de la compa\u00f1\u00edatrasatl\u00e1ntica espa\u00f1ola. matagorda 1850-1939"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio Lopera Arazola <\/strong><\/h2>\n<p>En el presente trabajo se reivindican como obras de arquitectura de pleno derecho a las construcciones flotantes que desde la aplicaci\u00f3n de la m\u00e1quina de vapor a la navegaci\u00f3n convirtieron a los barcos de pasaje en fragmentos m\u00f3viles de territorio sin vinculaci\u00f3n paisaj\u00edstica concreta -sin genius loci-, estructurados en forma de ciudades m\u00f3viles, muy claramente diversificadas y estratificadas socialmente, sobre un soporte f\u00edsico que constitu\u00eda al vanguardia tecnol\u00f3gica de su momento.  el estudio est\u00e1 dividido en dos partes. En la primera se trata el hecho hist\u00f3rico que constituy\u00f3 el barco de vapor, el cual, gracias a su revolucionario sistema de propulsi\u00f3n, qued\u00f3 liberado del dictado de los vientos y las mareas, adquiriendo una condici\u00f3n aut\u00f3noma sin precedentes hasta entonces. para ello se ha analizado compositiva y fison\u00f3micamente la transici\u00f3n del velero transoce\u00e1nico hacia el buque mec\u00e1nico: sus cambios organizativos, el progresivo aumento de tama\u00f1o y velocidad de las unidades producidas sucesivamente, la evoluci\u00f3n de la disposici\u00f3n interna de las mismas, etc\u00e9tera, detallando la creciente complejidad y sofisticaci\u00f3n de sus instalaciones y espacios interiores, atendiendo tanto a sus caracter\u00edsticas propias, como a las conexiones estil\u00edsticas y de autor\u00eda respecto a las obras de tierra adentro. Tambi\u00e9n son analizados los cambios fison\u00f3micos -es decir compositivos- de dicho tipo de naves en el periodo 1850-1939, a trav\u00e9s sobre todo de la transformaci\u00f3n formal observada en sus elementos b\u00e1sicos caracter\u00edsticos: casco -distinguiendo entre proa, popa y tercio central- y superestructura y la disposici\u00f3n y adaptaciones sucesivas de la secci\u00f3n del buque, donde es obligado conciliar las complejas razones n\u00e1uticas, y arquitect\u00f3nicas.  la segunda parte, dando por sentado el conocimiento del variado contexto general que determina los rasgos fundamentales de los barcos de pasaje en la etapa elegida, se dedica<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Arquitecturas flotantes. barcos de pasaje de la compa\u00f1\u00edatrasatl\u00e1ntica espa\u00f1ola. matagorda 1850-1939<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Arquitecturas flotantes. barcos de pasaje de la compa\u00f1\u00edatrasatl\u00e1ntica espa\u00f1ola. matagorda 1850-1939 <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio Lopera Arazola <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 23\/03\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Pedro Navascues Palacio<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: javier De c\u00e1rdenas ch\u00e1varri <\/li>\n<li> Gamez guardiola Jos\u00e9 ramon (vocal)<\/li>\n<li>Francisco Fern\u00e1ndez gonz\u00e1lez (vocal)<\/li>\n<li>Juan  Jos\u00e9 Gomez molina (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Lopera Arazola En el presente trabajo se reivindican como obras de arquitectura de pleno derecho a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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