{"id":29428,"date":"2018-03-09T09:22:33","date_gmt":"2018-03-09T09:22:33","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-ta%c2%adtulo-en-la-literatura-y-las-demas-artes\/"},"modified":"2018-03-09T09:22:33","modified_gmt":"2018-03-09T09:22:33","slug":"el-ta%c2%adtulo-en-la-literatura-y-las-demas-artes","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/navarra\/el-ta%c2%adtulo-en-la-literatura-y-las-demas-artes\/","title":{"rendered":"El t\u00edtulo en la literatura y las dem\u00e1s artes"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Celaya Garc\u00eda M. Concepci\u00f3n <\/strong><\/h2>\n<p>La titulog\u00eda, el estudio te\u00f3rico o hist\u00f3rico de los t\u00edtulos literarios, es una disciplina de reciente creaci\u00f3n (comienzos del siglo xx) a la que han dedicado su inter\u00e9s renombrados investigadores de algunos pa\u00edses como francia, alemania o  italia, pero que apenas cuenta con representantes en \u00e1mbito espa\u00f1ol.  el estudio intenta acercarse al fen\u00f3meno de la titulaci\u00f3n desde un punto de vista te\u00f3rico, global e interdisciplinar. El objeto de an\u00e1lisis se inserta tanto en el \u00e1mbito literario -como contexto principal-, como tambi\u00e9n en otras artes y disciplinas, y el corpus utilizado destaca por su variedad tanto hist\u00f3rica como geogr\u00e1fica. El acercamiento al t\u00edtulo se realiza desde varias perspectivas.  en primer lugar, un breve an\u00e1lisis a modo de introducci\u00f3n de los fundamentos filos\u00f3ficos y etimol\u00f3gicos, y de conceptos insertos en su ra\u00edz (nociones como nombre, contexto y cotexto), as\u00ed como de su origen hist\u00f3rico.  a continuaci\u00f3n, se propone una tipolog\u00eda basada en distintos criterios; los aspectos funcionales (denominaci\u00f3n, comunicaci\u00f3n, descripci\u00f3n y persuasi\u00f3n), los aspectos ling\u00ed\u00bc\u00edsticos (l\u00e9xico-sem\u00e1nticos y morfosint\u00e1cticos), y los aspectos ret\u00f3ricos (tanto los procedimientos ret\u00f3ricos como los recursos m\u00e1s frecuentemente utilizados).  despu\u00e9s de tratar algunos problemas relativos a la jerarquizaci\u00f3n de los t\u00edtulos (suprat\u00edtulos, t\u00edtulos, subt\u00edtulos, etc.), Se intentan esclarecer algunos problemas terminol\u00f3gicos, con un previo estado de la cuesti\u00f3n, derivados de las distintas corrientes e idiomas a trav\u00e9s de los que se ha estudiado el t\u00edtulo. Se atiende tambi\u00e9n a los fen\u00f3menos de pr\u00e9stamo as\u00ed como a la caracterizaci\u00f3n espec\u00edficamente modal y gen\u00e9rica de los t\u00edtulos.  finalmente, se aborda el estudio del t\u00edtulo en contextos m\u00e1s amplios; otras artes (m\u00fasica, danza, artes pl\u00e1sticas, cine, arquitectura) e incluso se hace una peque\u00f1a cata en el mundo period\u00edstico, estableciendo un<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El t\u00edtulo en la literatura y las dem\u00e1s artes<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El t\u00edtulo en la literatura y las dem\u00e1s artes <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Celaya Garc\u00eda M. Concepci\u00f3n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Navarra<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 26\/03\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Kurt Spang<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Garc\u00eda barrientos Jos\u00e9 Luis <\/li>\n<li>Miguel angel Muro munilla (vocal)<\/li>\n<li> Alonso del real montes concepci\u00f3n (vocal)<\/li>\n<li>rosa Tabernero sala (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Celaya Garc\u00eda M. Concepci\u00f3n La titulog\u00eda, el estudio te\u00f3rico o hist\u00f3rico de los t\u00edtulos literarios, es una [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[17749],"tags":[83217,83216,66937,17923,38372,74126],"class_list":["post-29428","post","type-post","status-publish","format-standard","hentry","category-navarra","tag-alonso-del-real-montes-concepcion","tag-celaya-garcia-m-concepcion","tag-garcia-barrientos-jose-luis","tag-kurt-spang","tag-miguel-angel-muro-munilla","tag-rosa-tabernero-sala"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/29428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=29428"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/29428\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=29428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=29428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=29428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}