{"id":29548,"date":"2004-01-04T00:00:00","date_gmt":"2004-01-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-la%c2%admite-sonado-arqutiecturas-de-vidrio-no-construa%c2%addas\/"},"modified":"2004-01-04T00:00:00","modified_gmt":"2004-01-04T00:00:00","slug":"el-la%c2%admite-sonado-arqutiecturas-de-vidrio-no-construa%c2%addas","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-madrid\/el-la%c2%admite-sonado-arqutiecturas-de-vidrio-no-construa%c2%addas\/","title":{"rendered":"El l\u00edmite so\u00f1ado. arqutiecturas de vidrio no constru\u00eddas"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Daniel Huertas Nadal <\/strong><\/h2>\n<p>Hay algunos conceptos que encuentran f\u00e1cil acomodo entre nosotros, minetras que otros, en ocasiones m\u00e1s cuidadosamente elaborados o seleccionados, pasan y desaparecen a velocidad vertiginosa. Me refiero a esas palabras que surgen de improviso, se hacen presentes con fuerza inusitada y comparten su estancia con otras que tuvieron que trabajar duro durante muchos a\u00f1os para ser aceptadas finalmente en nuestra jerga arquitect\u00f3nica: l\u00edmite, es una de ellas.  la aparici\u00f3n del vidrio en la producci\u00f3n arquitect\u00f3nica, establece el desplazamiento de criterios de sustracci\u00f3n en el muro (horadar, cerrar, abrir) hasta criterios de adici\u00f3n (recortar, limitar, acotar), se\u00f1alando la importancia de su reversibilidad en procesos de transparencia y reflexi\u00f3n: el vidrio significa el tiempo umbral y conf\u00edn.  mies van der rohe, al proyectar en 1922 los rascacielos de vidrio, introduce un nuevo debate sobre la membrana, sobre el muro. Una reflexi\u00f3n sobre la piel del edificio, una piel transparente, una piel que desaparece y un tapiz de reflejos v\u00edtreos de profunda densidad. Frente al car\u00e1cter inequ\u00edvoco del muro tradicional, se\u00f1ala la sem\u00e1ntica de un muro de tras-materializarse.  el vidrio, por s\u00ed solo, se convierte en idea de arqutiectura. El muro del siglo xxi es un espacio complejo que expresa la sutura entre exterior e interior con una m\u00ednima materialidad.  uno de estos lugares de materialidad trascendente es la sala del para\u00edso del danteum. En las columnas de vidrio, lo simb\u00f3lico se funde con lo visible; la forma se identifica con la materia. El vidrio exige de lo luminoso la completa uni\u00f3n de reflejos y trasparencias, de lo material e inmaterial, de lo que trasciende y lo perentorio.  en el monumento a los seis millones de m\u00e1rtires judios de kahn, la arquitectura nace de este habitar la materia, desde el hombre hasta la luz. Son sillares de luz, es materia luminosa. Pero los sillares de kahn no son estrictamente cristales, so<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El l\u00edmite so\u00f1ado. arqutiecturas de vidrio no constru\u00eddas<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El l\u00edmite so\u00f1ado. arqutiecturas de vidrio no constru\u00eddas <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Daniel Huertas Nadal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/04\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jes\u00fas Mar\u00eda Aparicio Guisado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: alberto Campo baeza <\/li>\n<li> Lozano velasco Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<li>Juan  Carlos Arnuncio pastor (vocal)<\/li>\n<li>Jos\u00e9 Morales s\u00e1nchez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Daniel Huertas Nadal Hay algunos conceptos que encuentran f\u00e1cil acomodo entre nosotros, minetras que otros, en ocasiones [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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