{"id":29575,"date":"2004-02-04T00:00:00","date_gmt":"2004-02-04T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/ut-pictura-poiesis-el-difa%c2%adcil-dialogo-entre-la-creacion-y-la-produccion-de-la-pintura-en-el-arte-del-siglo-xx\/"},"modified":"2004-02-04T00:00:00","modified_gmt":"2004-02-04T00:00:00","slug":"ut-pictura-poiesis-el-difa%c2%adcil-dialogo-entre-la-creacion-y-la-produccion-de-la-pintura-en-el-arte-del-siglo-xx","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/pais-vasco-euskal-herriko-unibertsitatea\/ut-pictura-poiesis-el-difa%c2%adcil-dialogo-entre-la-creacion-y-la-produccion-de-la-pintura-en-el-arte-del-siglo-xx\/","title":{"rendered":"Ut pictura poiesis: el dif\u00edcil di\u00e1logo entre la creaci\u00f3n y la producci\u00f3n de la pintura en el arte  del siglo xx."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Rezende Silveira De Alcantara Edna <\/strong><\/h2>\n<p>Este trabajo de investigaci\u00f3n se propone sobre la tesis de que uno de los principales problemas a los que tiene que dar soluci\u00f3n la pintura del siglo xx es el de la interdici\u00f3n de su poiesis, y que se puede observar que aquellos pintores obligados al trabajo de la pintura bajo esa interdicci\u00f3n, frecuentemente oscilan entre la problem\u00e1tica de la concepci\u00f3n f\u00edsica de la pintura y una expansi\u00f3n te\u00f3rica de su conocimiento que ya no puede concebirse, ni a trav\u00e9s de los mecanismos de su recepci\u00f3n puramente visual, ni a trav\u00e9s de las convenciones de su lenguaje estrictamente pict\u00f3rico, pero sobre todo, no se le puede admitir en las habilidades de la acci\u00f3n de pintar.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Ut pictura poiesis: el dif\u00edcil di\u00e1logo entre la creaci\u00f3n y la producci\u00f3n de la pintura en el arte  del siglo xx.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Ut pictura poiesis: el dif\u00edcil di\u00e1logo entre la creaci\u00f3n y la producci\u00f3n de la pintura en el arte  del siglo xx. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Rezende Silveira De Alcantara Edna <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 02\/04\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Inmaculada Jimenez Huertas<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li>Juli\u00e1n Irujo anduiza (vocal)<\/li>\n<li>xavier Franquesa llopart (vocal)<\/li>\n<li>Jos\u00e9 Chavete rodriguez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Rezende Silveira De Alcantara Edna Este trabajo de investigaci\u00f3n se propone sobre la tesis de que uno [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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