{"id":2968,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/miguel-gomez-camargo-1618-1690-biografia-legado-testamentario-y-estudio-de-los-procedimientos-parodicos-en-sus-villancicos\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"miguel-gomez-camargo-1618-1690-biografia-legado-testamentario-y-estudio-de-los-procedimientos-parodicos-en-sus-villancicos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/miguel-gomez-camargo-1618-1690-biografia-legado-testamentario-y-estudio-de-los-procedimientos-parodicos-en-sus-villancicos\/","title":{"rendered":"Miguel gomez camargo (1618-1690): biografia, legado testamentario y estudio de los procedimientos parodicos en sus villancicos."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Caballero Fernandez Rufete Carmelo Alejandro <\/strong><\/h2>\n<p>En la tesis doctoral el autor aborda el estudio de uno de los compositores mas significativos del barroco espa\u00f1ol.  el trabajo se divide en tres secciones: estudio biografico caralogacion y estudio del legado testamentario y estudio de los villancicos parodicos. El trabajo incluye la transcripcion del casi ochenta villancicos y sus correspondientes fuentes musicales profanas o teatrales.  la principal aportacion consiste en la individuacion de los diferentes grupos de procedimientos parodicos: villancicos con estribillo con doble exposicion (villancicos sobre la tonada, sobre el duo y sobre el cuatro), villancicos sobre bailes dramaticos y otros procedimientos, a saber: villancicos que incorporan citas profanas, villancicos que incorporan contrafactum sensu stricto y villancicos relacionados con otros generos parateatrales aparte del analisis de los procedimientos de recomposicion en cada uno de los grupos citadosa partir del estudio de obras concretas, el autor presenta un estudio de la influencia de los diferentes procedimientos parodicos en la forma del villancico polifonico y en el estilo musical de los mismos, especialmente en lo que se refiere a texturas y a las diferentes fuerzas interpretativas.  ademas de las citadas secciones el autor incluye numerosos catalogos e inventarios de las fuentes literarias, tanto profanas como religiosas, y de fuentes musicales de los generos antedichos, asi como un importante epistolario de casi doscientas cartas dirigidas al compositor.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Miguel gomez camargo (1618-1690): biografia, legado testamentario y estudio de los procedimientos parodicos en sus villancicos.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Miguel gomez camargo (1618-1690): biografia, legado testamentario y estudio de los procedimientos parodicos en sus villancicos. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Caballero Fernandez Rufete Carmelo Alejandro <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Valladolid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Antonia Virgili Blanquet<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Emilio Casares Rodicio <\/li>\n<li>Jos\u00e9 Vicente Gonz\u00e1lez Valle (vocal)<\/li>\n<li>Francesc Bonastre Bertran (vocal)<\/li>\n<li>German Vega Garcia Luengos (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Caballero Fernandez Rufete Carmelo Alejandro En la tesis doctoral el autor aborda el estudio de uno de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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