{"id":30109,"date":"2018-03-09T09:23:35","date_gmt":"2018-03-09T09:23:35","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-mitologa%c2%ada-clasica-en-la-emblematica-espanola\/"},"modified":"2018-03-09T09:23:35","modified_gmt":"2018-03-09T09:23:35","slug":"la-mitologa%c2%ada-clasica-en-la-emblematica-espanola","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/cordoba\/la-mitologa%c2%ada-clasica-en-la-emblematica-espanola\/","title":{"rendered":"La mitolog\u00eda cl\u00e1sica en la emblem\u00e1tica espa\u00f1ola"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Emilio Asencio Gonzalez <\/strong><\/h2>\n<p>El presente estudio pretende mostrar la pervivencia y el desarrollo que el mito cl\u00e1sico, en cuanto c\u00f3digo y sistema de comunicaci\u00f3n, experiment\u00f3 desde la antig\u00ed\u00bcedad cl\u00e1sica y a trav\u00e9s de la edad media, hasta su ulterior florecimiento en el renacimiento y el barroco, tanto en la literatura como en el arte; y especialmente en la emblem\u00e1tica, una nueva ciencia que aparece en el siglo xvi y se desarrolla en toda la \u00e9poca moderna.  su finalidad era esencialmente moral y did\u00e1ctica, aunando texto e imagen, en un intento de ense\u00f1ar deleitando, aunque destinado al menos en un primer momento a una \u00e9lite intelectual capaz de descifrar un c\u00f3digo que deb\u00eda de las fuentes de la cultura grecolatina.  con fines metodol\u00f3gicos se han analizado cinco personajes de la mitolog\u00eda cl\u00e1sica que sirvieron para expresar distintos contenidos de \u00edndole moral, pero que destacan principalmente por su valor paradigm\u00e1tico en la literatura emblem\u00e1tica. Son h\u00e9rcules, jano, faet\u00f3n, sirenas y harp\u00edas, y fortuna.  en dicho an\u00e1lisis se ha partido del estudio de los atributos, caracter\u00edsticas, iconograf\u00eda y tradici\u00f3n de cada uno de los personajes en el mundo cl\u00e1sico, y los cambios que sufri\u00f3 su personalidad y significaci\u00f3n seg\u00fan se fueron aplicando a diverso scontextos y a los intereses religiosos, pol\u00edticos o morales del momento.  de este modo se han tenido en consideraci\u00f3n los compendios mitol\u00f3gicos del final de la antig\u00ed\u00bcedad y de la edad media, los manuales mitogr\u00e1ficos de boccaccio y sus continuadores italianos y espa\u00f1oles del siglo xvi, y los tratados de simb\u00f3lica e iconolog\u00eda; para desembocar en el an\u00e1lisis de los emblemas que se ocupan del personaje en cuesti\u00f3n o de aspectos con \u00e9l relacionados, desde alciato hasta los emblemistas espa\u00f1oles.  por \u00faltimo se ha prestado atenci\u00f3n al estudio iconol\u00f3gico de diversas obras de arte del renacimiento y el barroco en las que intervienen los cinco personajes estudiados, y cuyo signi<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La mitolog\u00eda cl\u00e1sica en la emblem\u00e1tica espa\u00f1ola<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La mitolog\u00eda cl\u00e1sica en la emblem\u00e1tica espa\u00f1ola <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Emilio Asencio Gonzalez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 C\u00f3rdoba<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 14\/05\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Custodio Urban Fernandez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Rodriguez pantoja marquez <\/li>\n<li>pedro Ruiz p\u00e9rez (vocal)<\/li>\n<li>Santiago Fernandez ardanaz (vocal)<\/li>\n<li> Maestre maestre Jos\u00e9 Mar\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Emilio Asencio Gonzalez El presente estudio pretende mostrar la pervivencia y el desarrollo que el mito cl\u00e1sico, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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