{"id":30479,"date":"2004-03-06T00:00:00","date_gmt":"2004-03-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/despliegue-narrativo-de-la-imagen-diarios-abiertos\/"},"modified":"2004-03-06T00:00:00","modified_gmt":"2004-03-06T00:00:00","slug":"despliegue-narrativo-de-la-imagen-diarios-abiertos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/politecnica-de-valencia\/despliegue-narrativo-de-la-imagen-diarios-abiertos\/","title":{"rendered":"Despliegue narrativo de la imagen: diarios abiertos"},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Artero Mut M. Lid\u00f3n <\/strong><\/h2>\n<p>La tesis supone un estudio te\u00f3rico-pr\u00e1ctico sobre la capacidad narrativa de la imagen, analizando, produciendo y seleccionando obras que tienen un marcado car\u00e1cter subjetivo e intimista pr\u00f3ximo al diario autobiogr\u00e1fico, o a la expresi\u00f3n de la identidad.  en su desarrollo se han diferenciado dos partes, una te\u00f3rica y otra pr\u00e1ctica. la primera parte de an\u00e1lisis te\u00f3rico queda a su vez dividida en dos grandes apartados. El primero, bajo el t\u00edtulo memoria, delimita el campo de estudio, analizando una serie de obras que ejemplifican ese car\u00e1cter subjetivo e intimista, diferenciando dos l\u00edneas:  * diarios autobiogr\u00e1ficos, analizando trabajos de natacha merrit, tracey emin, tina barney, nobuyoshi araki y nan goldin.  * recopilatorio de identidad, estudiando obras de felix g. Torres, gerhard richter, marta m. Perez, kara walker, beth moys\u00e9s, priscilla monge, pepon osorio, alex katz, shirin nessat y andres serrano.  el segundo apartado define distintos items o recursos del lenguaje pl\u00e1stico que potencian la capacidad narrativa de la imagen. As\u00ed, bajo la denominaci\u00f3n general de lenguaje se estudia el papel que juegan:  * textos, analizando el trabajo de adrian piper, carrie mae west, barbar kruger, lorna simpson y jenny holzer.  * cuerpo, en la bora de nan goldin, lucian freud y francesco clemente.  * mezcla de lenguajes, utilizados por david salle y matthew-arney.  intercambio de lenguajes, examinado obras de larry clark, richard prince y cindy sherman.  * voyeurismo, observando ese especial punto de vista en obras de merry alpern, ric fischl y tony oursler.  * tensi\u00f3n, expresada en la obra de philip l. Di corcia, rebecca horn, louise bourgeois, victoria civera y jessica stockholder.  la segunda parte supone una relectura y selecci\u00f3n de mi diario personal, diario prioritariamente visual que he reordenado siguiendo el mismo esquema de la primera parte.  este orden sim\u00e9trico entre la teor\u00eda y la pr\u00e1ctica refleja e<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Despliegue narrativo de la imagen: diarios abiertos<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Despliegue narrativo de la imagen: diarios abiertos <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Artero Mut M. Lid\u00f3n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Polit\u00e9cnica de Valencia<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 03\/06\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda  Jose Martinez De Pison Ramon<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Morey farr\u00e9 <\/li>\n<li>Emilio Jos\u00e9 Mart\u00ednez arroyo (vocal)<\/li>\n<li>Jos\u00e9 Luis Cueto lominchar (vocal)<\/li>\n<li>carmen Osuna luque (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Artero Mut M. Lid\u00f3n La tesis supone un estudio te\u00f3rico-pr\u00e1ctico sobre la capacidad narrativa de la imagen, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[16820],"tags":[85618,35320,25954,76801,44576,8506],"class_list":["post-30479","post","type-post","status-publish","format-standard","hentry","category-politecnica-de-valencia","tag-artero-mut-m-lidon","tag-carmen-osuna-luque","tag-emilio-jose-Martinez-arroyo","tag-jose-luis-cueto-lominchar","tag-maria-jose-Martinez-de-pison-ramon","tag-miguel-morey-farre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/30479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=30479"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/30479\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=30479"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=30479"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=30479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}