{"id":30559,"date":"2004-07-06T00:00:00","date_gmt":"2004-07-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/juan-ramon-jimenez-la-poesa%c2%ada-y-lo-divino\/"},"modified":"2004-07-06T00:00:00","modified_gmt":"2004-07-06T00:00:00","slug":"juan-ramon-jimenez-la-poesa%c2%ada-y-lo-divino","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/malaga\/juan-ramon-jimenez-la-poesa%c2%ada-y-lo-divino\/","title":{"rendered":"\u00abjuan ram\u00f3n jim\u00e9nez: la poes\u00eday lo divino\u00bb"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Antonio Santamar\u00eda Ruiz <\/strong><\/h2>\n<p>El autor de la tesis muestra los pasos que llevan a juan ram\u00f3n jim\u00e9nez a la fusi\u00f3n de la poes\u00eda y lo divino, demostrando queen esta fusi\u00f3n reside elmotor creativo de su obra, algo que el propio poeta asumi\u00f3 como clave unitaria de toda su producci\u00f3n. La tesis est\u00e1 dividida en dos partes, presentadas cad una en un tomo, de manera clarificadora y did\u00e1ctica, precedida de un \u00abpr\u00f3logo\u00bb, en el que se nos adelantan pormenores de la investigaci\u00f3n y se sintetiza el contenido de las partes de la misma, y de una \u00abintroducci\u00f3n\u00bb, en la que se resume la trayectoria po\u00e9tica de juan ram\u00f3n, siguiendo el hilo de sus \u00e9pocas y libros fundamentales, hasta llegar a la experiencia con la \u00abentidad divina\u00bb, dando cuenta de la cr\u00edtica que se ha ocupado de esta experiencia. Le sigue la parte i, titulada \u00abhacia una po\u00e9tica de la conciencia sucesiva\u00bb en la que se plantea la primera producci\u00f3n del poeta de forma cronol\u00f3gica, destacando las influencias que el entorno familiar, social e intelectual ejerci\u00f3 sobre su obra, especialmente las del krausismo y modernismo, hasta llegar la la primera madurez, que alcanzar\u00e1 su plenitud en el exilio. De esta etapa de plenitud se ocupa la parte ii, bajo el t\u00edtulo \u00abjuan ram\u00f3n en plenitud\u00bb, que desarrolla la plasmaci\u00f3n del universo po\u00e9tico juanramoniano, fundido en lo divino como clave \u00faltima y originaria de su poes\u00eda. La tesis se cierra con sintetizadoras \u00abconclusiones\u00bb, y con una rica \u00abbibliografia selecta\u00bb, que se ocupa de las ediciones y antolog\u00edas realizadas por el poeta, y de sus ensayos y art\u00edculos sobre poes\u00eda, as\u00ed como de la bibliograf\u00eda cr\u00edtica, referida a ediciones, art\u00edculos y estudios cr\u00edticos.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>\u00abjuan ram\u00f3n jim\u00e9nez: la poes\u00eday lo divino\u00bb<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 \u00abjuan ram\u00f3n jim\u00e9nez: la poes\u00eday lo divino\u00bb <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Antonio Santamar\u00eda Ruiz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 M\u00e1laga<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/06\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Enrique Baena Pe\u00f1a<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: crist\u00f3bal Cuevas Garc\u00eda <\/li>\n<li>Francisco Javier Blasco pascual (vocal)<\/li>\n<li>alfonso Canales p\u00e9rez-bryan (vocal)<\/li>\n<li>Antonio S\u00e1nchez trigueros (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Antonio Santamar\u00eda Ruiz El autor de la tesis muestra los pasos que llevan a juan ram\u00f3n jim\u00e9nez [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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