{"id":30619,"date":"2004-09-06T00:00:00","date_gmt":"2004-09-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/consumaciones-de-la-modernidad-ironia-y-hermeneutica-en-el-idealismo-aleman\/"},"modified":"2004-09-06T00:00:00","modified_gmt":"2004-09-06T00:00:00","slug":"consumaciones-de-la-modernidad-ironia-y-hermeneutica-en-el-idealismo-aleman","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sevilla\/consumaciones-de-la-modernidad-ironia-y-hermeneutica-en-el-idealismo-aleman\/","title":{"rendered":"Consumaciones de la modernidad. ironia y hermen\u00e9utica en el idealismo alem\u00e1n."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Agust\u00edn Miranda Carrillo <\/strong><\/h2>\n<p>A trav\u00e9s del an\u00e1lisis de la historia evolutita del concepto de los moderno, se trata de responder al problema de qu\u00e9 es lo moderno. El desarrollo de este problema fundamental conduce la investigaci\u00f3n a otras cuestiones cuyas conclusiones servir\u00e1n de fundamentaci\u00f3n a la conclusi\u00f3n fundamental. Estas cuestiones secundarias son:  &#8211; la querella entre los antiguos y los modernos.  &#8211; la escisi\u00f3n y fragmentaci\u00f3n de la modernidad.  &#8211; la modernidad mostrar\u00e1 diversas formas, o bien para supeerar la escisi\u00f3n (mediante una mediaci\u00f3n met\u00f3dica[descartes, leibuiz y jacobi] o una mediaci\u00f3n necesaria [schiller y hegel]), o bien, asumirla como permanente (h\u00ed\u00b6lderlin y f. Schlegel).  &#8211; el debate est\u00e9tico, que funciona acad\u00e9micamente como tesis, entre hegel y schlegel entorno a la iror\u00eda rom\u00e1ntica.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Consumaciones de la modernidad. ironia y hermen\u00e9utica en el idealismo alem\u00e1n.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Consumaciones de la modernidad. ironia y hermen\u00e9utica en el idealismo alem\u00e1n. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Agust\u00edn Miranda Carrillo <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Sevilla<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 09\/06\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Manuel Barrios Casares<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: diego S\u00e1nchez meca <\/li>\n<li>remedios Avila crespo (vocal)<\/li>\n<li> Sevilla fernandez Jos\u00e9 Manuel (vocal)<\/li>\n<li> Rodr\u00edguez tous Juan  Antonio (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Agust\u00edn Miranda Carrillo A trav\u00e9s del an\u00e1lisis de la historia evolutita del concepto de los moderno, se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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