{"id":30872,"date":"2018-03-09T09:24:41","date_gmt":"2018-03-09T09:24:41","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/aproximacion-al-tema-del-arte-visual-la-fotografia-digital-cinco-fotografos-zaragozanos\/"},"modified":"2018-03-09T09:24:41","modified_gmt":"2018-03-09T09:24:41","slug":"aproximacion-al-tema-del-arte-visual-la-fotografia-digital-cinco-fotografos-zaragozanos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/zaragoza\/aproximacion-al-tema-del-arte-visual-la-fotografia-digital-cinco-fotografos-zaragozanos\/","title":{"rendered":"Aproximacion al tema del arte visual.  la fotografia digital.  cinco fotografos zaragozanos."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Irala Hortal M. Pilar <\/strong><\/h2>\n<p>La presente tesis doctoral tiene por objeto aproximarse al an\u00e1lisis de las nuevas tecnolog\u00edas en el \u00e1mbito del arte visual para, a partir de ello, examinar las consecuencias que se derivan de la aplicaci\u00f3n de las nuevas tecnolog\u00edas a un medio concreto de creaci\u00f3n; en este caso la fotograf\u00eda. por ello, el estudio se centr\u00f3 primero en el an\u00e1lisis de las caracter\u00edsticas y desarrollo de las nuevas tecnolog\u00edas, y en los cambios que su llegada provocaba en el artista y su mundo: sus medios de creaci\u00f3n, sus modos de relacionarse con la sociedad, la forma en que la informaci\u00f3n art\u00edstica llega al p\u00fablico, c\u00f3mo se accede al \u00e1mbito art\u00edstico a trav\u00e9s de las nuevas tecnolog\u00edas y, finalmente, c\u00f3mo reaccionan el mundo de la cr\u00edtica, de la investigaci\u00f3n y de la docencia art\u00edstica.  completada la aproximaci\u00f3n al an\u00e1lisis de las nuevas tecnolog\u00edas y sus influencias en el \u00e1mbito art\u00edstico, se centr\u00f3 la atenci\u00f3n en un medio visual concreto: la fotograf\u00eda.  El objetivo de este segundo bloque era analizar la fotograf\u00eda como medio de expresi\u00f3n y el proceso por el que el carrete f\u00edlmico es sustituido por la placa de memoria.  por fin, resultaba esencial contrastar con ejemplos concretos las conclusiones alcanzadas a lo largo de los cap\u00edtulos precedentes.  De ah\u00ed que, tras apuntar convenientemente los hechos m\u00e1s relevantes en la historia de la fotograf\u00eda, se analizara la trayectoria de cinco fot\u00f3grafos zaragozanos, tras situarlos en el entorno art\u00edstico &#8211; fotogr\u00e1fico de la ciudad: jos\u00e9 antonio duce, javier povar, manuel fit\u00e9, jes\u00fas bond\u00eda y javier almal\u00e9.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Aproximacion al tema del arte visual.  la fotografia digital.  cinco fotografos zaragozanos.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Aproximacion al tema del arte visual.  la fotografia digital.  cinco fotografos zaragozanos. <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Irala Hortal M. Pilar <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 18\/06\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Angel Azpeitia Burgos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  De la plaza Santiago Francisco javier <\/li>\n<li> Ortega coca Mar\u00eda  teresa (vocal)<\/li>\n<li> Ubieto artur Antonio  paulo (vocal)<\/li>\n<li>Fernando Alvira banzo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Irala Hortal M. Pilar La presente tesis doctoral tiene por objeto aproximarse al an\u00e1lisis de las nuevas [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[13610],"tags":[36355,12472,52418,86488,86489,86490],"class_list":["post-30872","post","type-post","status-publish","format-standard","hentry","category-zaragoza","tag-angel-azpeitia-burgos","tag-de-la-plaza-santiago-francisco-javier","tag-fernando-alvira-banzo","tag-irala-hortal-m-pilar","tag-ortega-coca-maria-teresa","tag-ubieto-artur-antonio-paulo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/30872","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=30872"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/30872\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=30872"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=30872"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=30872"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}