{"id":30985,"date":"2018-03-09T09:24:50","date_gmt":"2018-03-09T09:24:50","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-feria-internacional-de-arte-contemporaneo-arco-y-su-influencia-en-el-mercado-del-arte-espanol\/"},"modified":"2018-03-09T09:24:50","modified_gmt":"2018-03-09T09:24:50","slug":"la-feria-internacional-de-arte-contemporaneo-arco-y-su-influencia-en-el-mercado-del-arte-espanol","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-feria-internacional-de-arte-contemporaneo-arco-y-su-influencia-en-el-mercado-del-arte-espanol\/","title":{"rendered":"La feria internacional de arte contempor\u00e1neo &#8211; arco y su influencia en el mercado del arte espa\u00f1ol"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Gemma Vega Aloc\u00e9n <\/strong><\/h2>\n<p>Esta tesis es un an\u00e1lisis de la feria internacional de arte contempor\u00e1neo de Madrid-arco, considerada la principal promotora del arte y del coleccionismo en espa\u00f1a.  se analiza su trayectoria desde su primera convocatoria en 1982 hasta el a\u00f1o 2000, as\u00ed como del mercado del arte espa\u00f1ol: la pol\u00edtica cultural, la evoluci\u00f3n del coleccionismo y las principales colecciones existentes en espa\u00f1a y participantes en arco.  sirviendo de introducci\u00f3n y en su primera parte, se analiza brevemente la evoluci\u00f3n del panorama art\u00edsico espa\u00f1ol en la d\u00e9cada de los 70, 80 y 90, centr\u00e1ndonos en la pol\u00edtica cultural existente (creaci\u00f3n de nuevos museos, exposiciones significativas y visi\u00f3n gneral de las tendencias art\u00edsticas), el papel que desemp\u00f1ean los medios de comunicaci\u00f3n y el r\u00e9gimen social.  en la segunda parte nos centramos en el coleccionismo en espa\u00f1a en las dos \u00fatlimas d\u00e9cadas del siglo xx. Se analizan los diferentes tipos de coleccionismo existente, siendo de nuestro inter\u00e9s el coleccionismo institucional, tanto p\u00fablico como privado. Las principales colecciones participantes en al feria son tratadas a lo largo de la tercera y principal parte de este trabajo: el an\u00e1lisis exhaustivo de cada una de las ediciones de arco, desde sus inicios hasta la finalizaci\u00f3n del siglo xx. No obstante, en esta segunda parte, destcamos dos colecciones relevantes: la colecci\u00f3n fundaci\u00f3n arco y la colecci\u00f3n coca-cola espa\u00f1a.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La feria internacional de arte contempor\u00e1neo &#8211; arco y su influencia en el mercado del arte espa\u00f1ol<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La feria internacional de arte contempor\u00e1neo &#8211; arco y su influencia en el mercado del arte espa\u00f1ol <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Gemma Vega Aloc\u00e9n <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Complutense de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 22\/06\/2004<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Javier Diez Alvarez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: manuel Parralo dorado <\/li>\n<li>eusebio S\u00e1nchez blanco (vocal)<\/li>\n<li>Mar\u00eda  soledad Farre brufao (vocal)<\/li>\n<li> Soto arandiga ram\u00f3n de (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Gemma Vega Aloc\u00e9n Esta tesis es un an\u00e1lisis de la feria internacional de arte contempor\u00e1neo de Madrid-arco, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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