{"id":31090,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/manuel-pinillos-en-la-poesia-de-postguerra-en-aragon\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"manuel-pinillos-en-la-poesia-de-postguerra-en-aragon","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/manuel-pinillos-en-la-poesia-de-postguerra-en-aragon\/","title":{"rendered":"Manuel pinillos en la poesia de postguerra en aragon."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Mar\u00eda  Pilar Martinez Barca <\/strong><\/h2>\n<p>Se divide el presente estudio en tres grandes bloques tematicos, \u00abpoesia de postguerra en aragon\u00bb, \u00abmanuel pinillos o la consagracion a la poesia\u00bb y \u00abla obra del poeta\u00bb, en cada uno de los cuales se ha insertado a su vez tres capitulos referentes a otros tantos aspectos de la obra de manuel pinillos y de la poesia aragonesa en general. Comienza el analisis por el contexto sociocultural: a medio camino entre la dictadura franquista y la progresiva conquista de las libertades democraticas, la cultura aragonesa y zaragozana en concreto es fiel reflejo de la situacion espa\u00f1ola de aquellos a\u00f1os. Y lo mismo sucede con las principales publicaciones poeticas aragonesas del momento o con las tres o cuatro grandes generaciones de la lirica espa\u00f1ola de postguerra desde la generacion de 1936 con ildefonso-manuel gil, pasando por las lineas surrealista y existencialista de los a\u00f1os 40 y 50 en las figuras de miguel labordeta y manuel pinillos, hasta la larga nomina de poetas en torno al cafe nike o la rica diversidad en la decada de los 70.  pasamos, en segundo lugar, a los hitos esenciales en la biografia de manuel pinillos: la recreacion del paraiso de la infancia, la guerra civil, su fecunda labor como poeta y conferenciante, la experiencia de un amor vivido en plenitud o sus a\u00f1os finales, siempre en esa dinamica contradictoria entre una vocacional consagracion a la poesia y la dolorosa huella de un continuo desarraigo personal, familiar, social e intelectual. Fruto de esta apasionada vocacion y de unas necesidades culturales concretas naceria ambito (poesia y polemica) -gerona, 1951-, revista llamada a ser una de las mas representativas de toda la lirica comprometida de postguerra de no haber sido por su brevisima existencia (dos unicos numeros). Por ultimo la concepcion metapoetica del autor: una tremenda tension entre la contencion y el desbordamiento expresivos, la poesia como conocimiento y el compromiso humano y solidario del poe<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Manuel pinillos en la poesia de postguerra en aragon.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Manuel pinillos en la poesia de postguerra en aragon. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Mar\u00eda  Pilar Martinez Barca <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Zaragoza<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mainer Baqu\u00e9<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Andres Soria Olmedo <\/li>\n<li>Gonzalo Corona Marzol (vocal)<\/li>\n<li>Luis Garc\u00eda Montero (vocal)<\/li>\n<li>Rosendo Tello Aina (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mar\u00eda Pilar Martinez Barca Se divide el presente estudio en tres grandes bloques tematicos, \u00abpoesia de postguerra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,628,13610],"tags":[3571,86974,86973,3575,86972,86975],"class_list":["post-31090","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-teoria-analisis-y-critica-literarios","category-zaragoza","tag-andres-soria-olmedo","tag-gonzalo-corona-marzol","tag-jose-mainer-baque","tag-luis-garcia-montero","tag-maria-pilar-Martinez-barca","tag-rosendo-tello-aina"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/31090","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=31090"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/31090\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=31090"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=31090"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=31090"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}