{"id":31409,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/el-discurso-ajeno-en-las-novelas-de-galdos\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"el-discurso-ajeno-en-las-novelas-de-galdos","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-discurso-ajeno-en-las-novelas-de-galdos\/","title":{"rendered":"El discurso ajeno en las novelas de galdos."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan Varias Garcia <\/strong><\/h2>\n<p>Estudio en las 30 novelas mas 4 episodios del discurso de los personajes, de los generos discursivos (capitulo iv), de las tecnicas de reproduccion del discurso (capitulo ii) y de las categorias arquitectonicas (capitulo v) en las distintas etapas de la novelistica.  la poetica de galdos se situa en la fase historica de percepcion del discurso \u00abverbal analitica\u00bb. El interes de galdos es probar las causas de la corrupcion moral y social (\u00abcaquexia social\u00bb) a traves del analisis del discurso privado y publico. El principio dialogico de bajtin y su teoria del enunciado sirven para explicar la forma y el sentido de la imagen de las voces, de los generos y del discurso de los narradores, todo ello a la luz de las categorias arquitectonicas (tendencia perceptiva del discurso ajeno, construccion del personaje, parodia, satira y alegoria) que organizan el plano compositivo segun el principio esencial de galdos:  la critica de la caquexia social y su proposito didactico. Se presta especial atencion al \u00absistema dialogal\u00bb y a las \u00abnovelas dialogadas\u00bb (capitulo iii).  el capitulo i define todas las categorias del discurso; al final de la tesis se incluyen un indice analitico-tematico, otro de obras de galdos y otro onomastico.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El discurso ajeno en las novelas de galdos.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El discurso ajeno en las novelas de galdos. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan Varias Garcia <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Sergio Beser Orti<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Mar\u00eda Pozuelo Yvancos <\/li>\n<li>Luis Beltran (vocal)<\/li>\n<li>Luis Izquierdo (vocal)<\/li>\n<li>Alejandro P\u00e9rez Vidal (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Varias Garcia Estudio en las 30 novelas mas 4 episodios del discurso de los personajes, de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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