{"id":31478,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/imagenes-femeninas-tennysonianas-en-la-pintura-prerrafaelista-un-transfondo-mitico\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"imagenes-femeninas-tennysonianas-en-la-pintura-prerrafaelista-un-transfondo-mitico","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/imagenes-femeninas-tennysonianas-en-la-pintura-prerrafaelista-un-transfondo-mitico\/","title":{"rendered":"Imagenes femeninas tennysonianas en la pintura prerrafaelista: un transfondo mitico."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Julia Domenech Lopez <\/strong><\/h2>\n<p>La tesis doctoral imagenes femeninas tennysonianas en la pintura prerrafaelita: un transfondo mitico realiza un recorrido por algunas de las imagenes femeninas prerrafaelitas basadas en poemas o en personajes poeticos de alfred tennyson. El proposito de esta investigacion es desentra\u00f1ar el porque de la utilizacion de determinadas figuras femeninas tennysonianas por parte de la p.R.B. La autora prueba, mediante este analisis, como se forma y asienta un lenguaje iconico propio; lenguaje en el que se van a recuperar ciertas imagenes miticas que, consciente o inconscientemente, la p.R.B. Va a representar con todo su potente transfondo clasico. Estas imagenes no son escogidas gratuitamente sino que responden a situaciones sociales e historicas precisas en un momento de cambio en la sociedad victoriana en la que el papel de la mujer va a ser definido ideologica y socialmente.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Imagenes femeninas tennysonianas en la pintura prerrafaelista: un transfondo mitico.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Imagenes femeninas tennysonianas en la pintura prerrafaelista: un transfondo mitico. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Julia Domenech Lopez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonia Raquejo Grado<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Jos\u00e9 Rogelio Buendia  Mu\u00f1oz <\/li>\n<li> Diego Otero Estrella De (vocal)<\/li>\n<li>Angel Gonzalez Garcia (vocal)<\/li>\n<li>Javier Hernando Carrasco (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Julia Domenech Lopez La tesis doctoral imagenes femeninas tennysonianas en la pintura prerrafaelita: un transfondo mitico realiza [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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