{"id":3150,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/la-textura-como-elemento-determinante-de-una-experimentacion-tridimensional-formulacion-de-una-propuesta-practica-pedagogica\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"la-textura-como-elemento-determinante-de-una-experimentacion-tridimensional-formulacion-de-una-propuesta-practica-pedagogica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/la-textura-como-elemento-determinante-de-una-experimentacion-tridimensional-formulacion-de-una-propuesta-practica-pedagogica\/","title":{"rendered":"La textura como elemento determinante de una experimentacion tridimensional. formulacion de una propuesta practica pedagogica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Juan Gomez Ruiz <\/strong><\/h2>\n<p>De forma simplificada, esta tesis queda estructurada en:  &#8211; una primera parte en la que se especula los factores que intervienen e implican al elementos textura que nos ocupa. Resultara pertinente el estudio de la piel asi como el tacto, organo y sentido especifico para tal fin de cara al proceso de aprendizaje de los objetos. La confrontacion detallada con obras de determinados artistas nos va a situar en el interes de la problematica.  &#8211; otra segunda parte tiene su inicio en las conclusiones obtenidas de la primera, y donde una experimentacion practica personal resulta imprescindible. Resulta idoneo la presentacion grafica de la seleccion realizada junto a un breve comentario.  &#8211; la tercera y ultima parte, surge de la reflexion generada en lo relativo al elemento y de la verificacion practica realizada. Ambos aportaran la estrategia pertinente para la formulacion de una propuesta pedagogica singular.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La textura como elemento determinante de una experimentacion tridimensional. formulacion de una propuesta practica pedagogica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La textura como elemento determinante de una experimentacion tridimensional. formulacion de una propuesta practica pedagogica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Juan Gomez Ruiz <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Antonio Garbayo Randez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds <\/li>\n<li>Jos\u00e9 Fuentes Esteve (vocal)<\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<li> Enrich Martin Rosa Mar\u00eda (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Juan Gomez Ruiz De forma simplificada, esta tesis queda estructurada en: &#8211; una primera parte en la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,4363,12909,1111],"tags":[13249,13250,6788,4367,13248,7360],"class_list":["post-3150","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-escultura","category-pais-vasco-euskal-herriko-unibertsitatea","category-teoria-analisis-y-critica-de-las-bellas-artes","tag-antonio-garbayo-randez","tag-enrich-martin-rosa-maria","tag-jose-fuentes-esteve","tag-juan-fernando-de-la-iglesia-gonzalez-de-pereda","tag-juan-gomez-ruiz","tag-tolosa-marin-jose-luis"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/3150","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=3150"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/3150\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=3150"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=3150"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=3150"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}