{"id":31572,"date":"1997-01-01T00:00:00","date_gmt":"1997-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/jacinto-benavente-y-su-arte-de-hacer-comedias-1894-1913\/"},"modified":"1997-01-01T00:00:00","modified_gmt":"1997-01-01T00:00:00","slug":"jacinto-benavente-y-su-arte-de-hacer-comedias-1894-1913","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/historia\/jacinto-benavente-y-su-arte-de-hacer-comedias-1894-1913\/","title":{"rendered":"Jacinto benavente y su arte de hacer comedias (1894-1913)."},"content":{"rendered":"<h2>Tesis doctoral de <strong>  Mahmoud Mohamed Surelam Aisha <\/strong><\/h2>\n<p>La tesis se titula \u00abjacinto benavente y su arte de hacer comedias (1894- 1913)\u00bb. Se ocupa de la obra dramatica de benavente y se refiere a dos perspectivas: la renovacion que realizo el autor en la forma dramatica de su tiempo y su verdadera relacion con la generacion del 98. Se compone de dos partes y siete capitulos. La primera parte esta dividida en dos capitulos en los que se han estudiado la condicion del teatro espa\u00f1ol a finales del siglo pasado y principios del actual, la aparicion del autor en la escena espa\u00f1ola y su relacion con sus compa\u00f1eros escritores de la generacion. En el segundo capitulo de la primera parte se ha analizado la tecnica benaventina y los generos dramaticos de sus obras. En los cinco capitulos de la segunda parte se han analizado las comedias benaventinas mas representativas de los espacios escenicos, segun los cuales hemos clasificado su teatro.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Jacinto benavente y su arte de hacer comedias (1894-1913).<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Jacinto benavente y su arte de hacer comedias (1894-1913). <\/li>\n<li><strong>Autor:<\/strong>\u00a0  Mahmoud Mohamed Surelam Aisha <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>barba Hern\u00e1ndez S\u00e1nchez<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Pedro Martinez Montavez <\/li>\n<li>Manuel Fernandez Nieto (vocal)<\/li>\n<li>Pablo Jauralde Pou (vocal)<\/li>\n<li>Arturo Ramoneda Salas (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Mahmoud Mohamed Surelam Aisha La tesis se titula \u00abjacinto benavente y su arte de hacer comedias (1894- [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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