{"id":3192,"date":"1994-01-01T00:00:00","date_gmt":"1994-01-01T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/1994\/01\/01\/el-empleo-retorico-del-objeto-analisis-y-experimentacion\/"},"modified":"1994-01-01T00:00:00","modified_gmt":"1994-01-01T00:00:00","slug":"el-empleo-retorico-del-objeto-analisis-y-experimentacion","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/el-empleo-retorico-del-objeto-analisis-y-experimentacion\/","title":{"rendered":"El empleo retorico del objeto. analisis y experimentacion"},"content":{"rendered":"<h2>Tesis doctoral de <strong> Consuelo Matesanz P\u00e9rez <\/strong><\/h2>\n<p>En esta tesis se analiza el empleo retorico de objetos en la creacion de obras plasticas. Como objetivos principales mencionamos: en primer lugar, crear un cuerpo de analisis desde el campo de la retorica de la imagen y de la experimentacion plastica; con el que poder analizar las obras de arte que contengan objetos. En segundo lugar, realizar una clasificacion valida para la ordenacion y el estudio de estas transformaciones retoricas, ademas de la aplicacion practica de este estudio en sus posibilidades expresivas. El contenido de la tesis se organiza en tres apartados:  1) seleccion y argumentacion de la metodolog\u00eda de analisis, es decir, en la clasificacion y ordenacion de las transformaciones retoricas y sus posibilidades expresivas.  2) se ilustra esa clasificacion con ejemplos de empleo retorico del objeto en obras del arte contemporaneo.  3) analizamos veintiocho obras que comparten el problema del empleo retorico del objeto en su constitucion; que son resultado de experimentacion personal.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>El empleo retorico del objeto. analisis y experimentacion<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 El empleo retorico del objeto. analisis y experimentacion <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Consuelo Matesanz P\u00e9rez <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Pa\u00eds vasco\/euskal herriko unibertsitatea<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 01\/01\/1994<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Julian Irujo Andueza<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal:  Tolosa Mar\u00edn Jos\u00e9 Lu\u00eds <\/li>\n<li>Juan  Fernando De La Iglesia Gonzalez De Pereda (vocal)<\/li>\n<li>Inmaculada Jimenez Huertas (vocal)<\/li>\n<li>Jos\u00e9 Chavete Rodriguez (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Consuelo Matesanz P\u00e9rez En esta tesis se analiza el empleo retorico de objetos en la creacion de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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