{"id":32974,"date":"1997-10-06T00:00:00","date_gmt":"1997-10-06T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/la-repeticio-de-peter-handke\/"},"modified":"1997-10-06T00:00:00","modified_gmt":"1997-10-06T00:00:00","slug":"la-repeticio-de-peter-handke","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/filosofia\/la-repeticio-de-peter-handke\/","title":{"rendered":"La repeticio de peter handke."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Anna Montan\u00e9 Forast\u00e9 <\/strong><\/h2>\n<p>La tesis se centra en el an\u00e1lisis de cinco obras del escritor p. Handke &#8211; la carta breve para un largo adi\u00f3s (1972). Lento retorno (1979). La doctrina del sainte-victoire (1980). El chino del dolor (1983) y la repetici\u00f3n (1986)- con el fin de dar raz\u00f3n de la idea de repetici\u00f3n que atraviesa su opus. Muestra como antes de la publicaci\u00f3n de cb, handke critic\u00f3 duramente la repetici\u00f3n en la literatura, en los sistemas de comunicaci\u00f3n de masa&#8230; Y como fue concibiendo una visi\u00f3n positiva de la repetici\u00f3n escribiendo, primero, \u00abnarraciones de repeticiones\u00bb -textos en los que domina un gusto por las analog\u00edas, reencuentros, retornos de cosas o situaciones similares- y, despu\u00e9s, obras cuyo tema central es la narraci\u00f3n y en las que se pone de manifiesto que para \u00e9l narrar es sin\u00f3nimo de repetir.  el tema de la repetici\u00f3n es indisociable del de la narraci\u00f3n y por ende del tema del lenguaje; la tesis es tambi\u00e9n una reflexi\u00f3n sobre la concepci\u00f3n handkeana del lenguaje.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>La repeticio de peter handke.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 La repeticio de peter handke. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Anna Montan\u00e9 Forast\u00e9 <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Barcelona<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/06\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Eustaquio Barjau Riu<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Miguel Morey farr\u00e9 <\/li>\n<li>michael Pfeiffer (vocal)<\/li>\n<li>Mar\u00eda  Luisa Siguan boehmer (vocal)<\/li>\n<li>Jos\u00e9 Luis Pardo tor\u00edo (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Anna Montan\u00e9 Forast\u00e9 La tesis se centra en el an\u00e1lisis de cinco obras del escritor p. Handke [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[960,951,10452,165],"tags":[90353,20387,31505,20370,85939,8506],"class_list":["post-32974","post","type-post","status-publish","format-standard","hentry","category-antropologia-filosofica","category-barcelona","category-estetica","category-filosofia","tag-anna-montane-foraste","tag-eustaquio-barjau-riu","tag-jose-luis-pardo-torio","tag-maria-luisa-siguan-boehmer","tag-michael-pfeiffer","tag-miguel-morey-farre"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/32974","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=32974"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/32974\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=32974"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=32974"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=32974"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}