{"id":33227,"date":"1997-07-11T00:00:00","date_gmt":"1997-07-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/decadentismo-sentimiento-y-literatura-decadentista\/"},"modified":"1997-07-11T00:00:00","modified_gmt":"1997-07-11T00:00:00","slug":"decadentismo-sentimiento-y-literatura-decadentista","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/decadentismo-sentimiento-y-literatura-decadentista\/","title":{"rendered":"Decadentismo: sentimiento y literatura decadentista"},"content":{"rendered":"<h2>Tesis doctoral de <strong> M. Angeles Recio Ariza <\/strong><\/h2>\n<p>La tesis estudia el sentimiento y la literatura decadentista. Se centra ante todo en la literatura alemana y austriaca de 1880 a 1910. Consta de tres cap\u00edtulos. En el primero se muestra el camino recorrido desde el sentimiento hasta la literatura decadentista. El segundo ofrece una visi\u00f3n panor\u00e1mica de las corrientes literarias en dicho periodo, para llegar posteriormente a un an\u00e1lisis en profundidad de lo que signific\u00f3 y cuanto implica el decadentismo. Y, finalmente, en el \u00faltimo cap\u00edtulo se ahonda en el an\u00e1lisis del literato y cr\u00edtico austriaco hermann babr. Ofreciendo adem\u00e1s un estudio de una de sus obras m\u00e1s famosas: das konzert, y de su lenguaje, que no es otro que el lenguaje decadentista, aunque se trata del decadentismo tard\u00edo.  se propone en esta tesis que el decadentismo sea quien aune las corrientes literarias que aparecieron a finales del siglo xix, en lugar de hablar de la \u00e9poca de los \u00abismos\u00bb, como tradicionalmente se hace.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Decadentismo: sentimiento y literatura decadentista<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Decadentismo: sentimiento y literatura decadentista <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M. Angeles Recio Ariza <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Salamanca<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 07\/11\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Felix Diaz Morales<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: feliciano P\u00e9rez varas <\/li>\n<li>Luis angel Acosta gomez (vocal)<\/li>\n<li>roberto Corcoll calsat (vocal)<\/li>\n<li>mario Saalbach erdmann (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M. Angeles Recio Ariza La tesis estudia el sentimiento y la literatura decadentista. Se centra ante todo [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[3925,59,62,9386],"tags":[9497,25921,6246,90827,43641,9498],"class_list":["post-33227","post","type-post","status-publish","format-standard","hentry","category-estilo-y-retorica","category-linguistica","category-linguistica-sincronica","category-salamanca","tag-feliciano-perez-varas","tag-felix-diaz-morales","tag-luis-angel-acosta-gomez","tag-m-angeles-recio-ariza","tag-mario-saalbach-erdmann","tag-roberto-corcoll-calsat"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=33227"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33227\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=33227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=33227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=33227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}