{"id":33248,"date":"1997-10-11T00:00:00","date_gmt":"1997-10-11T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/discurso-teorico-y-puesta-en-escena-en-espana-1960-1975\/"},"modified":"1997-10-11T00:00:00","modified_gmt":"1997-10-11T00:00:00","slug":"discurso-teorico-y-puesta-en-escena-en-espana-1960-1975","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/discurso-teorico-y-puesta-en-escena-en-espana-1960-1975\/","title":{"rendered":"Discurso teorico y puesta en escena en espa\u00f1a: 1960-1975."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Oscar Cornago Bernal <\/strong><\/h2>\n<p>Abigarrado fresco de las puestas en escena m\u00e1s relevantes que han articulado la historia de la innovaci\u00f3n del teatro, desde el punto de vista esc\u00e9nico, en espa\u00f1a durante este periodo. Estas obras se agrupan dentro de los grandes discursos y corrientes est\u00e9ticas que definieron la historia del texto occidental de este periodo: los diferentes tipos de realismo, desde el costumbrismo hasta el formalismo brechtiano en el teatro ritual y la escena popular, protagonizada por la farsa y la reinstrumentalizaci\u00f3n de lenguajes parateatrales como la revista, el cabaret o el circo. El estudio es precedido por un acercamiento te\u00f3rico al concepto de fen\u00f3meno esc\u00e9nico y el surgimiento de nuevas concepciones y modelos de creaci\u00f3n teatral.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Discurso teorico y puesta en escena en espa\u00f1a: 1960-1975.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Discurso teorico y puesta en escena en espa\u00f1a: 1960-1975. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Oscar Cornago Bernal <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 10\/11\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Mar\u00eda Francisca Vilches De Frutos<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: ricardo Salvat ferr\u00e9 <\/li>\n<li>Jes\u00fas Rubio jim\u00e9nez (vocal)<\/li>\n<li>gregorio Torres nebreda (vocal)<\/li>\n<li>Mar\u00eda no de Paco moya (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Oscar Cornago Bernal Abigarrado fresco de las puestas en escena m\u00e1s relevantes que han articulado la historia [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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