{"id":33338,"date":"2018-03-09T09:30:25","date_gmt":"2018-03-09T09:30:25","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/lenguaje-y-simbolo-en-la-poesia-creacionista-de-gerardo-diego\/"},"modified":"2018-03-09T09:30:25","modified_gmt":"2018-03-09T09:30:25","slug":"lenguaje-y-simbolo-en-la-poesia-creacionista-de-gerardo-diego","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/linguistica\/lenguaje-y-simbolo-en-la-poesia-creacionista-de-gerardo-diego\/","title":{"rendered":"Lenguaje y simbolo en la poesia creacionista de gerardo diego."},"content":{"rendered":"<h2>Tesis doctoral de <strong> M. Nieves Ema Llorente <\/strong><\/h2>\n<p>La tesis doctoral \u00ab\u00bblenguaje y s\u00edmbolo en la poes\u00eda creacionista de gerardo diego tiene como primer objetivo el acercamiento po\u00e9tico-simb\u00f3lico a una etapa poco conocida y estudiada del autor..Para ello se parte de un estudio introductorio dedicado a mecanismos ret\u00f3ricos como la met\u00e1fora, la met\u00e1fora, la metonimia, la imagen y el s\u00edmbolo observados desde sus aspectos m\u00e1s significativos.  la sintaxis de los elementos formadores concretos se estudia tambi\u00e9n desde la perspectiva te\u00f3rica de la psicocr\u00edtica, la mitocr\u00edtica y la teor\u00eda de la literatura. Igualmente importante para el an\u00e1lisis simb\u00f3lico concreto es el cap\u00edtulo dedicado a los planteamientos te\u00f3ricos y manifiestos del movimiento po\u00e9tico creacionista, en las declaraciones de vicente hidobro, juan larrea y gerardo diego.  finalmente, tomando como corpus po\u00e9tico el volumen poes\u00eda de creaci\u00f3n de 1974, completado con poemas de las obras completas, se estudian los s\u00edmbolos concretos de gerardo diego, cuya sintaxis permite la clasificaci\u00f3n en tres grandes grupos: s\u00edmbolos ascendentes, s\u00edmbolos expansivos y s\u00edmbolos circulares como configuraci\u00f3n del universo imaginario del poeta.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Lenguaje y simbolo en la poesia creacionista de gerardo diego.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Lenguaje y simbolo en la poesia creacionista de gerardo diego. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 M. Nieves Ema Llorente <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Aut\u00f3noma de Madrid<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 24\/11\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Tomas Albaladejo Mayordomo<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: teodosio Fernandez rodriguez <\/li>\n<li>isabel Para\u00edso almansa (vocal)<\/li>\n<li>Andr\u00e9s Soria olmedo (vocal)<\/li>\n<li>Carlos Piera gil (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de M. Nieves Ema Llorente La tesis doctoral \u00ab\u00bblenguaje y s\u00edmbolo en la poes\u00eda creacionista de gerardo diego [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[147,149,59,60],"tags":[3571,6434,14763,91029,4849,4759],"class_list":["post-33338","post","type-post","status-publish","format-standard","hentry","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-linguistica","category-linguistica-aplicada","tag-andres-soria-olmedo","tag-carlos-piera-gil","tag-isabel-paraiso-almansa","tag-m-nieves-ema-llorente","tag-teodosio-fernandez-rodriguez","tag-tomas-albaladejo-mayordomo"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33338","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=33338"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33338\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=33338"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=33338"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=33338"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}