{"id":33435,"date":"1997-05-12T00:00:00","date_gmt":"1997-05-12T00:00:00","guid":{"rendered":"https:\/\/www.deberes.net\/tesis\/sin-categoria\/miguel-hernandez-y-la-critica\/"},"modified":"1997-05-12T00:00:00","modified_gmt":"1997-05-12T00:00:00","slug":"miguel-hernandez-y-la-critica","status":"publish","type":"post","link":"https:\/\/www.deberes.net\/tesis\/ciencias-de-las-artes-y-las-letras\/miguel-hernandez-y-la-critica\/","title":{"rendered":"Miguel hernandez y la critica."},"content":{"rendered":"<h2>Tesis doctoral de <strong> Aitor Luis Larrabide Achutegui <\/strong><\/h2>\n<p>Esta tesis se divide en dos partes bien diferenciadas: \u00abfuentes primarias\u00bb y \u00abfuentes secundarias\u00bb. La primera analiza la obra primaria de miguel hern\u00e1ndez (ediciones, rese\u00f1as a las mismas, antolog\u00edas, traducciones recogidas en libro y los poemas y prosas comentadas de mh). Al final de esta primera parte se incluyen las oportunas conclusiones parciales, como en cada apartado o secci\u00f3n. las \u00abfuentes secundarias\u00bb constituyen el meollo de la tesis (monograf\u00edas, rese\u00f1as a las mismas, trabajos cr\u00edticos sueltos, tesinas y tesis doctorales, entrevistas, obras generales, poemas y prosas dedicadas y noticias informativo-divulgativas, con sus correspondientes conclusiones). Al final de la tesis se insertan dos ap\u00e9ndices: \u00abbibliograf\u00eda, 1991-1996\u00bb y \u00abbibliograf\u00eda no consultada\u00bb. El material examinado corresponde al periodo 1930-1990. Las conclusiones finales de la tesis son tres, interdependientes entre s\u00ed y bastante densas en contenido: 1) existencia de dos momentos en la cr\u00edtica hernandiana; 2) situaci\u00f3n ambiental adversa; y 3) empobrecedora labor de la cr\u00edtica. La tesis recoge todo lo relacionado directa o indirectamente con mh, esto es, una bibliograf\u00eda cr\u00edtica o una historia de la cr\u00edtica hernandiana y pretende servir de gu\u00eda a futuros estudiosos del poeta.<\/p>\n<p>&nbsp;<\/p>\n<h3>Datos acad\u00e9micos de la tesis doctoral \u00ab<strong>Miguel hernandez y la critica.<\/strong>\u00ab<\/h3>\n<ul>\n<li><strong>T\u00edtulo de la tesis:<\/strong>\u00a0 Miguel hernandez y la critica. <\/li>\n<li><strong>Autor:<\/strong>\u00a0 Aitor Luis Larrabide Achutegui <\/li>\n<li><strong>Universidad:<\/strong>\u00a0 Le\u00f3n<\/li>\n<li><strong>Fecha de lectura de la tesis:<\/strong>\u00a0 05\/12\/1997<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h3>Direcci\u00f3n y tribunal<\/h3>\n<ul>\n<li><strong>Director de la tesis<\/strong>\n<ul>\n<li>Jos\u00e9 Mar\u00eda Balcells Dom\u00e9nech<\/li>\n<\/ul>\n<\/li>\n<li><strong>Tribunal<\/strong>\n<ul>\n<li>Presidente del tribunal: Francisco javier Diez de revenga torres <\/li>\n<li>armando L\u00f3pez  castro (vocal)<\/li>\n<li>Mar\u00eda  g. Gomez  pati\u00f1o (vocal)<\/li>\n<li>Mar\u00eda no de Paco moya (vocal)<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tesis doctoral de Aitor Luis Larrabide Achutegui Esta tesis se divide en dos partes bien diferenciadas: \u00abfuentes primarias\u00bb y \u00abfuentes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-gradient":""}},"footnotes":""},"categories":[148,147,149,4430,628],"tags":[91205,65338,8638,53398,91206,8643],"class_list":["post-33435","post","type-post","status-publish","format-standard","hentry","category-analisis-literario","category-ciencias-de-las-artes-y-las-letras","category-critica-de-textos","category-leon","category-teoria-analisis-y-critica-literarios","tag-aitor-luis-larrabide-achutegui","tag-armando-lopez-castro","tag-francisco-javier-diez-de-revenga-torres","tag-jose-maria-balcells-domenech","tag-maria-g-gomez-patino","tag-maria-no-de-paco-moya"],"_links":{"self":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33435","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/comments?post=33435"}],"version-history":[{"count":0,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/posts\/33435\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/media?parent=33435"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/categories?post=33435"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.deberes.net\/tesis\/wp-json\/wp\/v2\/tags?post=33435"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}